but at last he was taken and brought to Lisbon. Here, after being exposed to public infamy, he was hanged amid the jeers of the populace. Nine years later, in 1594, another impostor appeared, this time in Spain, under the very eyes of King Philip, who had seized the Portuguese sovereignty. Again an ecclesiastic figured in the plot; but on this occasion he concealed himself behind the scenes, and pulled the strings which set the puppet-king in motion. Miguel dos Santos, an Augustinian monk, who had been chaplain to Sebastian, after his disappearance espoused the cause of Don Antonio, and conceived the scheme of placing his new patron on the Lusitanian throne, by exciting a revolution in favour of a stranger adventurer, who would run all the risks of the rebellion, and resign his ill-gotten honours when the real aspirant appeared. He found a suitable tool in Gabriel de Spinosa, a native of Toledo. This man resembled Sebastian, was naturally bold and unscrupulous, and was easily persuaded to undertake the task of personating the missing monarch. The monk, Dos Santos, who was confessor to the nunnery of Madrigal, introduced this person to one of the nuns, Donna Anna of Austria, a niece of King Philip, and informed her that he was the unfortunate King of Portugal. The lady, believing her father-confessor, loaded the pretender with valuable gifts; presented him with her jewels; and was so attracted by his appearance that it was said she was willing to break her vows for his sake, and to share his throne with him. Unfortunately for the conspirators, before the plot was ripe, Spinosa's indiscretion ruined it. Having repaired to Valladolid to sell some jewels, he formed a criminal acquaintance with a female of doubtful repute, who informed the authorities that he was possessed of a great number of gems which she believed to be stolen. He was arrested, and on his correspondence being searched, the whole scheme was discovered. The rack elicited a full confession, and Spinosa was hung and quartered. Miguel dos Santos shared the same fate; but the Donna Anna, in consideration of her birth, was spared and condemned to perpetual seclusion.