It is great pain to her to find herself unable to tell them of their
error; for she well knows that when she is placed in the tomb, and the
angels come, that they will not fail to perceive the stain, and seeing
it, they will not fail to be shocked and sorrowful--and seeing it they
will turn away weeping, saying, 'She is not for us, alas! she is not
for us!' And Kitty, who is conscious of this fatal oversight, the
results of which she so clearly foresees, is grievously afflicted, and
she makes every effort to warn her friends of their error. But there
is one amid the mourners who knows that she is endeavouring to tell of
the black stain. And this one, whose face she cannot readily
distinguish, maliciously, and with diabolical ingenuity, withdraws the
attention of the others, so that they do not see it.
And so it befell her to be buried in the stained robe. And she is
taken away amid flowers and white cloths to a white tomb, where
incense is burning, and where the walls are hung with votive wreaths,
and things commemorative of virginal life. But upon all these, upon
the flowers and images alike, there is some small stain which none
sees but she and the one in shadow, the one whose face she cannot
recognise. And although she is nailed fast in her coffin, she sees
these stains vividly, and the one whose face she cannot recognise sees
them too. And this is certain, for the shadow of the face is stirred
by laughter.
The mourners go; the evening darkens; the wild sunset floats for a
while through the western heavens; the cemetery becomes a deep green,
and in the wind that blows out of heaven the cypresses rock like
things sad and mute. Then the blue night comes with stars in her
tresses, and out of those stars angels float softly; their white feet
hanging out of blown folds, their wings pointing to the stars. And
from out of the earth, out of the mist--but whence and how it is
impossible to say--there come other angels, dark of hue and foul
smelling. But the white angels carry swords, and they wave these
swords, and the scene is reflected in them as in a mirror; the dark
angels cower in a corner of the cemetery, but they do not utterly
retire.
Public-domain text, read in full here on John Shaqi.
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