Their eyes met and she said hastily, with seeming desire to change the
subject:
'So you're a Londoner born and bred, and yet you'd like to live in the
country.'
'Only for my painting. I love London, but you can't paint landscapes
in London.'
'I wonder why not. You said you loved this park. There's nothing more
beautiful in the country--those trees, this quiet, misty lake; it is
exquisite, and yet I suppose it wouldn't make a picture.'
'I don't know. I've often thought of trying to do something with it.
But what's beautiful to look at doesn't do well in a picture. The
hills and dales in the Green Park are perfect--their artificiality is
their beauty. There's one bit that I like especially.'
'Which is that?'
'The bit by Buckingham Palace where the sheep feed; the trees there
are beautiful, large spreading trees, and they give the place a false
air of Arcady. But in a picture it wouldn't do.'
'Why?'
'I can't say. I don't think it would mean much if it were painted.'
'You couldn't have a shepherd, or if you had he'd have to be cross-
gartered, and his lady-love in flowery silk would have to be sitting
on a bank, and there is not a bank there, you'd have to invent one.'
'That's it; the park is eighteenth century, a comedy of the
restoration.'
'But why couldn't you paint that?' said Mildred, pointing to where a
beautiful building passed across the vista.
'I suppose one ought to be able to. The turrets in the distance are
fine. But no, it wouldn't make a picture. The landscape painter never
will be able to do much with London. He'll have to live in the
country, and if he can't afford to do that he'd better turn it up.'
'Elsie Laurence and Cissy Clive are going to France soon. They say
that's the only place to study. In the summer they're going to a place
called Barbizon, near Fontainebleau. I was thinking of going with
them.'
'Were you? I wish I were going. Especially to Barbizon. The country
would suit me.'
Mildred longed to say, 'I shall be glad if you'll let me lend you the
money,' but she didn't dare. At the end of a long silence, Ralph said:
'I think we'd better be going on. It must be nearly ten.'
V.
As the spring advanced they spent more and more time in the park. They
learnt to know it in its slightest aspects; they anticipated each bend
of the lake's bank; they looked out for the tall trees at the end of
the island, and often thought of the tree that leaned until its lower
leaves swept the water's edge. Close to this tree was their favourite
seat. And, as they sat by the water's edge in the vaporous afternoons,
the park seemed part and parcel of their love of each other; it was
their refuge; it was only there that they were alone; the park was a
relief from the promiscuity of the galleries. In the park they could
talk without fear of being overheard, and they took interest in the
changes that spring was effecting in this beautiful friendly nature--
their friend and their accomplice.
Public-domain text, read in full here on John Shaqi.
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