The Adister family were not gifted to read into the heart of a young man of a fanciful turn. Patrick had not a thought of shame devolving on him from a kinsman that had shot at a mark and hit it. Who sees the shame of taking an apple from a garden of the Hesperides? And as England cultivates those golden, if sometimes wrinkled, fruits, it would have seemed to him, in thinking about it, an entirely lucky thing for the finder; while a question of blood would have fired his veins to rival heat of self-assertion, very loftily towering: there were Kings in Ireland: cry for one of them in Uladh and you will hear his name, and he has descendants yet! But the youth was not disposed unnecessarily to blazon his princeliness. He kept it in modest reserve, as common gentlemen keep their physical strength. His reluctance to look on Earlsfont sprang from the same source as unacknowledged craving to see the place, which had precipitated him thus far upon his road: he had a horror of scenes where a faithless girl had betrayed her lover. Love was his visionary temple, and his idea of love was the solitary light in it, painfully susceptible to coldair currents from the stories of love abroad over the world. Faithlessness he conceived to be obnoxious to nature; it stained the earth and was excommunicated; there could be no pardon of the crime, barely any for repentance. He conceived it in the feminine; for men are not those holy creatures whose conduct strikes on the soul with direct edge: a faithless man is but a general villain or funny monster, a subject rejected of poets, taking no hue in the flat chronicle of history: but a faithless woman, how shall we speak of her! Women, sacredly endowed with beauty and the wonderful vibrating note about the very mention of them, are criminal to hideousness when they betray. Cry, False! on them, and there is an instant echo of bleeding males in many circles, like the poor quavering flute-howl of transformed beasts, which at some remembering touch bewail their higher state. Those women are sovereignly attractive, too, loathsomely. Therein you may detect the fiend. Our moralist had for some time been glancing at a broad, handsome old country mansion on the top of a wooded hill backed by a swarm of mountain heads all purple-dark under clouds flying thick to shallow, as from a brush of sepia. The dim silver of half-lighted lakewater shot along below the terrace. He knew the kind of sky, having oftener seen that than any other, and he knew the house before it was named to him and he had flung a discolouring thought across it. He contemplated it placably and studiously, perhaps because the shower-folding armies of the fields above likened its shadowed stillness to that of his Irish home. There had this woman lived! At the name of Earlsfont she became this witch, snake, deception. Earlsfont was the title and summary of her black story: the reverberation of the word shook up all the chapters to pour out their poison.