From the moment when he beheld Mr. Adister's phaeton mounting a hill
that took the first leap for the Cambrian highlands, up to his arrival
in London, scarcely one of his 'ideas' darted out before Patrick, as
they were in the habit of doing, like the enchanted bares of fairyland,
tempting him to pursue, and changing into the form of woman ever, at
some turn of the chase. For as he had travelled down to Earlsfont in the
state of ignorance and hopefulness, bearing the liquid brains of that
young condition, so did his acquisition of a particular fact destructive
of hope solidify them about it as he travelled back: in other words,
they were digesting what they had taken in. Imagination would not have
stirred for a thousand fleeting hares: and principally, it may be,
because he was conscious that no form of woman would anywhere come of
them. Woman was married; she had the ring on her finger! He could at his
option look on her in the miniature, he could think of her as being in
the city where she had been painted; but he could not conjure her out
of space; she was nowhere in the ambient air. Secretly she was a feeling
that lay half slumbering very deep down within him, and he kept the
secret, choosing to be poor rather than call her forth. He was in truth
digesting with difficulty, as must be the case when it is allotted to
the brains to absorb what the soul abhors.
'Poor old Philip!' was his perpetual refrain. 'Philip, the girl you
loved is married; and here's her portrait taken in her last blush; and
the man who has her hasn't a share in that!' Thus, throwing in the ghost
of a sigh for sympathy, it seemed to Patrick that the intelligence would
have to be communicated. Bang is better, thought he, for bad news than
snapping fire and feinting, when you're bound half to kill a fellow, and
a manly fellow.
Public-domain text, read in full here on John Shaqi.
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