'Adiante,' she said softly. She coloured.
Her uncle mused awhile in a half-somnolent gloom. 'He talks of this at
this present day?'
'It is not dead to him. He really appears to have hoped . . . he is
extraordinary. He had not heard before of her marriage. I was a witness
of the most singular scene this morning, at the piano. He gathered it
from what he had heard. He was overwhelmed by it. I could not
exaggerate. It was impossible to help being a little touched, though it
was curious, very strange.'
Her uncle's attentiveness incited her to describe the scene, and as it
visibly relieved his melancholy, she did it with a few vivid indications
of the quaint young Irishman's manner of speech. She concluded: 'At last
he begged to see a portrait of her husband.'
'Not of her?' said Mr. Adister abruptly.
'No; only of her husband.'
'Show him her portrait.'
A shade of surprise was on Caroline's forehead. 'Shall I?' She had a dim
momentary thought that the sight of the beautiful face would not be good
for Patrick.
'Yes; let him see the woman who could throw herself away on that branded
villain called a prince, abjuring her Church for a little fouler than
hangman to me and every gentleman alive. I desire that he should see it.
Submission to the demands of her husband's policy required it of her,
she says! Show it him when he returns; you have her miniature in your
keeping. And to-morrow take him to look at the full-length of her before
she left England and ceased to be a lady of our country. I will order it
to be placed in the armoury. Let him see the miniature of her this day.'
Public-domain text, read in full here on John Shaqi.
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