But the Celtic genius was just then preparing, in Llandudno, to have its
hour of revival. Workmen were busy in putting up a large tent-like
wooden building, which attracted the eye of every newcomer, and which my
little boys believed (their wish, no doubt, being father to their
belief,) to be a circus. It turned out, however, to be no circus for
Castor and Pollux, but a temple for Apollo and the Muses. It was the
place where the Eisteddfod, or Bardic Congress of Wales, was about to be
held; a meeting which has for its object (I quote the words of its
promoters) ‘the diffusion of useful knowledge, the eliciting of native
talent, and the cherishing of love of home and honourable fame by the
cultivation of poetry, music, and art.’ My little boys were
disappointed; but I, whose circus days are over, I, who have a
professional interest in poetry, and who, also, hating all one-sidedness
and oppression, wish nothing better than that the Celtic genius should be
able to show itself to the world and to make its voice heard, was
delighted. I took my ticket, and waited impatiently for the day of
opening. The day came, an unfortunate one; storms of wind, clouds of
dust, an angry, dirty sea. The Saxons who arrived by the Liverpool
steamers looked miserable; even the Welsh who arrived by land,—whether
they were discomposed by the bad morning, or by the monstrous and
crushing tax which the London and North-Western Railway Company levies on
all whom it transports across those four miles of marshy peninsula
between Conway and Llandudno,—did not look happy. First we went to the
Gorsedd, or preliminary congress for conferring the degree of bard. The
Gorsedd was held in the open air, at the windy corner of a street, and
the morning was not favourable to open-air solemnities. The Welsh, too,
share, it seems to me, with their Saxon invaders, an inaptitude for show
and spectacle. Show and spectacle are better managed by the Latin race
and those whom it has moulded; the Welsh, like us, are a little awkward
and resourceless in the organisation of a festival. The presiding genius
of the mystic circle, in our hideous nineteenth-century costume, relieved
only by a green scarf, the wind drowning his voice and the dust powdering
his whiskers, looked thoroughly wretched; so did the aspirants for bardic
honours; and I believe, after about an hour of it, we all of us, as we
stood shivering round the sacred stones, began half to wish for the
Druid’s sacrificial knife to end our sufferings. But the Druid’s knife
is gone from his hands; so we sought the shelter of the Eisteddfod
building.
Public-domain text, read in full here on John Shaqi.
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