building of the tower of Nimrod; I was with my King in the manger of the
ass; I supported Moses through the waters of Jordan; I have been in the
buttery in the land of the Trinity; it is not known what is the nature of
its meat and its fish.’ It is very well to say that these assertions ‘we
may fairly ascribe to the poetic fancy of a Christian priest of the
thirteenth century.’ Certainly we may; the last of Taliesin’s assertions
more especially; though one must remark at the same time that the
Welshman shows much more fire and imagination than the Anglo-Saxon. But
Taliesin adds, after his: ‘I was in Canaan when Absalom was slain,’ ‘_I
was in the hall of Don before Gwydion was born_;’ he adds, after: ‘I was
chief overseer at the building of the tower of Nimrod,’ ‘_I have been
three times resident in the castle of Arianrod_;’ he adds, after: ‘I was
at the cross with Mary Magdalene,’ ‘_I obtained my inspiration from the
cauldron of Ceridwen_.’ And finally, after the mediæval touch of the
visit to the buttery in the land of the Trinity, he goes off at score: ‘I
have been instructed in the whole system of the universe; I shall be till
the day of judgment on the face of the earth. I have been in an uneasy
chair above Caer Sidin, and the whirling round without motion between
three elements. Is it not the wonder of the world that cannot be
discovered?’ And so he ends the poem. But here is the Celtic, the
essential part of the poem: it is here that the ‘formative pressure’ has
been really in operation; and here surely is paganism and mythology
enough, which the Christian priest of the thirteenth century can have had
nothing to do with. It is unscientific, no doubt, to interpret this part
as Edward Davies and Mr. Herbert do; but it is unscientific also to get
rid of it as Mr. Nash does. Wales and the Welsh genius are not to be
known without this part; and the true critic is he who can best disengage
its real significance.
I say, then, what we want is to _know_ the Celt and his genius; not to
exalt him or to abase him, but to know him. And for this a
disinterested, positive, and constructive criticism is needed. Neither
his friends nor his enemies have yet given us much of this. His friends
have given us materials for criticism, and for these we ought to be
grateful; his enemies have given us negative criticism, and for this,
too, up to a certain point, we may be grateful; but the criticism we
really want neither of them has yet given us.
Public-domain text, read in full here on John Shaqi.
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