Elysium in the words--'Admirable was that land: there are three trees there always bearing fruit, one pig always alive, and another ready cooked.' Occasionally, however, we find a different picture. In the Welsh poem called 'Y Gododin' the poet Aneirin is represented as expressing his gratitude at being rescued by the son of Llywarch Hen from 'the cruel prison of the earth, from the abode of death, from the loveless land.' The salient features, therefore, of the Celtic conceptions of the other-world are their consonance with the suggestions made by Celtic scenery to the Celtic imagination, the vagueness and variability of these conceptions in different minds and in different moods, the absence of any ethical considerations beyond the incentive given to bravery by the thought of immortality, and the remarkable development of a sense of possible inter-relations between the two worlds, whether pacific or hostile. Such conceptions, as we see from Celtic legend, proved an admirable stimulus and provided excellent material for the development of Celtic narrative, and the weird and romantic effect was further heightened by the general belief in the possibilities of magic and metamorphosis. Moreover, the association with innumerable place-names of legends of this type gave the beautiful scenery of Celtic lands an added charm, which has attached their inhabitants to them with a subtle and unconquerable attachment scarcely intelligible to the more prosaic inhabitants of prosaic lands. To the poetic Celt the love of country tends to become almost a religion. The Celtic mind cannot remain indifferent to lands and seas whose very beauty compels the eyes of man to gaze upon them to their very horizon, and the lines of observation thus drawn to the horizon are for the Celt continual temptations to the thought of an infinity beyond. The preoccupation of the Celtic mind with the deities of his scenery, his springs, his rivers, his seas, his forests, his mountains, his lakes, was in thorough keeping with the tenour of his mind, when tuned to its natural surroundings. In dealing with Celtic religion, mythology, and legend, it is not so much the varying local and temporal forms that demand our attention, as the all-pervading and animating spirit, which shows its essential character even through the scanty remains of the ancient Celtic world. Celtic religion bears the impress of nature on earth far more than nature in the heavens. The sense of the heaven above has perhaps survived in some of the general Indo-European Celtic terms for the divine principle, and there are some traces of a religious interest in the sun and the god of thunder and lightning, but every student of Celtic religion must feel that the main and characteristic elements are associated with the earth in all the variety of its local phenomena. The great earth-mother and her varied offspring ever come to view in Celtic religion under many