Cerise: A Tale of the Last CenturyWhyte-Melville, G. J. (George John)
General
Cerise: A Tale of the Last Century
Whyte-Melville, G. J. (George John)
Historical fiction
Far off in Normandy, sleek of skin and rich of colour, cows were
ruminating knee-deep in pasturage; hedges were loaded with wild flowers,
thickets dark with rank luxuriance of growth, while fresh streams, over
which the blue kingfisher flitted like a dragon-fly, rippled merrily down
towards the sea. Through teeming orchards, between waving cornfields,
past convent-walls grown over with woodbine and lilac and laburnum, under
stately churches, rearing Gothic spires, delicate as needlework, to
heaven, and bringing with them a cool current of air, a sense of freedom
and refreshment as they hurried past. Nay, even where the ripening sun
beat fiercely on the vineyards, terraced tier upon tier, to concentrate
his rays—where Macon and Côte-d’Or were already tinged with the first
faint blush of their coming vintage, even amidst the grape-rows so
orderly planted and so carefully trained, buxom peasant-girls could
gather posies of wild flowers for their raven hair, to make their black
eyes sparkle with merrier glances, and their dusky cheeks mantle in rich
carnation, type of southern blood dancing through their veins.
But Versailles was not France, and at Versailles nothing seemed free but
the birds and the children.
One of the alleys, commanded from the king’s private apartments, was
thickly crowded with loungers. Courtiers in silk stockings, laced coats,
and embroidered waistcoats reaching to their thighs, wearing diamond
hilts on their rapiers, and diamond buckles in their shoes, could not
move a step without apology for catching in the spreading skirts of
magnificent ladies—magnificent, be it understood, in gorgeousness of
apparel rather than in beauty of face or symmetry of figure. The former,
indeed, whatever might be its natural advantages, was usually coated with
paint and spotted with patches, while the latter was so disguised by
voluminous robes, looped-up skirts, falling laces, and such outworks and
appendages, not to mention a superstructure of hair, ribbon, and other
materials, towering so high above the head as to place a short woman’s
face somewhere about the middle of her whole altitude, that it must have
been difficult even for the maid who dressed her to identify, in one of
these imposing triumphs of art, the slender and insignificant little
framework upon which the whole fabric had been raised. Devotion in woman
is never more sublime than when sustaining the torture of dress.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account