Cerise: A Tale of the Last CenturyWhyte-Melville, G. J. (George John)
General
Cerise: A Tale of the Last Century
Whyte-Melville, G. J. (George John)
Historical fiction
“Tra-la-la, tra-la-la, he is débonnaire!” hummed the Abbé, as he mounted
the wooden staircase, and stopped at the first door on the landing.
“Monsieur le Duc is welcome to make all the music for our puppet dance so
long as he leaves it to Monsieur l’Abbé to pull the strings.”
Two gaudily dressed footmen answered Malletort’s summons and admitted
him obsequiously, as being a well-known friend of their master’s,
before he had time to ask if Signor Bartoletti was within. The Abbé had
visited here too often to be surprised at the luxuries of the apartment
into which he was ushered, so little in character with the dirt and
dilapidation that prevailed outside; but Signor Bartoletti, alleging
in excuse the requirements of his southern blood, indulged in every
extravagance to which his means would stretch, was consequently always
in difficulties, and therefore ready to assist in any scheme, however
nefarious, provided he was well paid.
The Signor’s tastes were obviously florid. Witness the theatrical
appearance of his lackeys, the bright colour of his furniture, the gaudy
ornaments on his chimneypiece, the glaring pictures on his walls; nay,
the very style and chasing of a massive flagon of red wine standing on
the table by a filagree basket of fruit for his refection.
The man himself, too, was palpably over-dressed, wearing a sword here
in the retirement of his chamber, yet wearing it as one whose hand
was little familiar with its guard. Every resource of lace, velvet,
satin, and embroidery had been employed in vain to give him an outward
semblance of distinction, but there was an expression of intellect and
energy in his dark beetle-browed face, with its restless black eyes,
that, in spite of low stature and ungainly make, redeemed him from the
imputation of utter vulgarity.
His hands, too (and there is a good deal of character in the hand), were
strong, nervous, and exceedingly well-shaped, though sadly stained and
scorched by the acids he made use of in the prosecution of his art.
A less keen observer than the Abbé might not have remarked beneath the
signor’s cordial greeting symptoms of anxiety, and even apprehension,
blended with something of the passive defiance which seems to say, “I am
in a corner. I have no escape. I don’t like it; but I must make the best
of it.”
A less keen observer, too, might not have detected a ring of bravado
in the tone with which he accosted his visitor as a disciple and
fellow-labourer in the cause of science.
“Welcome, monsieur,” said he—“welcome to the teacher who needs the
assistance of his pupil every step he travels on the radiant path. Have
you made discoveries, Monsieur l’Abbé? Fill your glass, and impart them.
Have you encountered difficulties?—Fill your glass, and conquer them.
Have you seen the true light glimmering far, far off across the black
waters?—Fill your glass, I say, and let us drink success to our voyage
ere we embark once more in search of the Great Secret.”
Public-domain text, read in full here on John Shaqi.
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