Certain Noble Plays of Japan: From the manuscripts of Ernest Fenollosa
General
Certain Noble Plays of Japan: From the manuscripts of Ernest Fenollosa
No plays -- Translations into English
THE PRIEST Hakuryo
A FISHERMAN
A TENNIN
CHORUS
HAGOROMO
The plot of the play 'Hagoromo, the Feather-mantle' is as follows. The
priest finds the Hagoromo, the magical feather-mantle of a Tennin, an
aerial spirit or celestial dancer, hanging upon a bough. She demands
its return. He argues with her, and finally promises to return it, if she
will teach him her dance or part of it. She accepts the offer. The Chorus
explains the dance as symbolical of the daily changes of the moon. The
words about 'three, five and fifteen' refer to the number of nights in
the moon's changes. In the finale, the Tennin is supposed to disappear
like a mountain slowly hidden in mist. The play shows the relation of the
early Noh to the God-dance.
PRIEST
Windy road of the waves by Miwo,
Swift with ships, loud over steersmen's voices.
Hakuryo, taker of fish, head of his house,
Dwells upon the barren pine-waste of Miwo.
A FISHERMAN
Upon a thousand heights had gathered the inexplicable cloud, swept by the
rain. The moon is just come to light the low house. A clean and pleasant
time surely. There comes the breath-colour of spring; the waves rise in a
line below the early mist; the moon is still delaying above, though we've
no skill to grasp it. Here is a beauty to set the mind above itself.
CHORUS
I shall not be out of memory
Of the mountain road by Kiyomi,
Nor of the parted grass by that bay,
Nor of the far-seen pine-waste
Of Miwo of wheat stalks.
Let us go according to custom. Take hands against the wind here, for it
presses the clouds and the sea. Those men who were going to fish are
about to return without launching. Wait a little, is it not spring? will
not the wind be quiet? this wind is only the voice of the lasting
pine-trees, ready for stillness. See how the air is soundless, or would be,
were it not for the waves. There now, the fishermen are putting out with
even the smallest boats.
PRIEST
Now I am come to shore at Miwo-no; I disembark in Subara; I see all that
they speak of on the shore. An empty sky with music, a rain of flowers,
strange fragrance on every side; all these are no common things, nor is
this cloak that hangs upon the pine-tree. As I approach to inhale its
colour I am aware of mystery. Its colour-smell is mysterious. I see that
it is surely no common dress. I will take it now and return and make it a
treasure in my house, to show to the aged.
TENNIN
That cloak belongs to someone on this side. What are you proposing to do
with it?
PRIEST
This? this is a cloak picked up. I am taking it home, I tell you.
TENNIN
That is a feather-mantle not fit for a mortal to bear,
Not easily wrested from the sky-traversing spirit,
Not easily taken or given.
I ask you to leave it where you found it.
PRIEST
How, is the owner of this cloak a Tennin? so be it. In this downcast age
I should keep it, a rare thing, and make it a treasure in the country, a
thing respected. Then I should not return it.
Public-domain text, read in full here on John Shaqi.
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