Certain Personal MattersWells, H. G. (Herbert George)
General
Certain Personal Matters
Wells, H. G. (Herbert George)
Wells, H. G. (Herbert George), 1866-1946
Then the Blade gambles; but over the gambling of the Blade it is well to
draw a veil--a partially translucent and coquettish veil, through which
we can see the thing dimly, and enhanced in its enormity. You must
patronise the Turf, of course, and have money on horses, or you are no
Blade at all, but a mere stick. The Harrow Blade has his book on all the
big races in the calendar; and the great and noble game of Nap--are not
Blades its worshippers wherever the sun shines and a pack of cards is
obtainable? Baccarat, too. Many a glorious Blade has lost his whole
term's pocket-money at a single sitting at that noble game. And the
conversation of the Blade must always be brilliant in the extreme, like
the flashing of steel in the sunlight. It is usually cynical and
worldly, sometimes horrible enough to make a governess shudder, but
always epigrammatic. Epigrams and neat comparisons are much easier to
make than is vulgarly supposed. "Schoolmasters hang about the crops of
knowledge like dead crows about a field, examples and warnings to greedy
souls." "Marriage is the beginning of philosophy, and the end is, 'Do
not marry.'" "All women are constant, but some discover mistakes." "One
is generally repentant when one is found out, and remorseful when one
can't do it again." A little practice, and this kind of thing may be
ground out almost without thinking. Occasionally, in your conversation
with ladies, you may let an oath slip. (Better not let your aunt hear
you.) Apologise humbly at once, of course. But it will give them a
glimpse of the lurid splendour of your private life.
And that brings us to the central thing of the Blade's life, the eternal
Feminine! Pity them, be a little sorry for them--the poor souls cannot
be Blades. They must e'en sit and palpitate while the Blade flashes. The
accomplished Blade goes through life looking unspeakable wickedness at
everything feminine he meets, old and young, rich and poor, one with
another. He reeks with intrigue. Every Blade has his secrets and
mysteries in this matter--remorse even for crimes. You do not know all
that his handsome face may hide. Even he does not know. He may have sat
on piers and talked to shop-girls, kissed housemaids, taken barmaids to
music halls, conversed with painted wickedness in public places--nothing
is too much for him. And oh! the reckless protestations of love he has
made, the broken promises, the broken hearts! Yet men must be Blades,
though women may weep; and every Blade must take his barmaid to a music
hall at least once, even if she be taller than himself. Until then his
manhood is not assured.
Just one hint in conclusion. A Blade who collects stamps, or keeps tame
rabbits, or eats sweets, oranges, or apples in the streets, or calls
names publicly after his friends, is no Blade at all, but a boy still.
So, with our blessing, he swaggers on his way and is gone. A Don Juan as
fresh as spring, a rosebud desperado. May he never come upon just cause
for repentance!
Public-domain text, read in full here on John Shaqi.
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