Certain Personal MattersWells, H. G. (Herbert George)
General
Certain Personal Matters
Wells, H. G. (Herbert George)
Wells, H. G. (Herbert George), 1866-1946
Depend upon it cleverness is the antithesis of greatness. The British
Empire, like the Roman, was built up by dull men. It may be we shall be
ruined by clever ones. Imagine a regiment of lively and eccentric
privates! There never was a statesman yet who had not some ballast of
stupidity, and it seems to me that part at least of the essentials of a
genius is a certain divine dulness. The people we used to call the
masters--Shakespeare, Raphael, Milton, and so forth--had a certain
simplicity Crichton lacks. They do not scintillate nearly so much as he
does, and they do not give that same uncomfortable feeling of internal
strain. Even Homer nods. There are restful places in their work, broad
meadows of breezy flatness, calms. But Crichton has no Pacific Ocean to
mitigate his everlasting weary passage of Cape Horn: it is all point
and prominence, point and prominence.
No doubt this Crichton is having a certain vogue now, but it cannot
last. I wish him no evil, of course, but I cannot help thinking he will
presently have had his day. This epoch of cleverness must be very near
its last flare. The last and the abiding thought of humanity is peace. A
dull man will presently be sought like the shadow of a great rock in a
thirsty land. Dulness will be the New Genius. "Give us dull books,"
people will cry, "great dull restful pictures. We are weary, very
weary." This hectic, restless, incessant phase in which we
travail--_fin-de-siecle_, "decadent," and all the rest of it--will pass
away. A chubby, sleepy literature, large in aim, colossal in execution,
rotund and tranquil will lift its head. And this Crichton will become a
classic, Messrs. Mudie will sell surplus copies of his works at a
reduction, and I shall cease to be worried by his disgusting success.
THE POSE NOVEL
I watched the little spurts of flame jet out from between the writhing
pages of my manuscript, watched the sheets coil up in their fiery
anguish and start one from another. I helped the fire to the very vitals
of the mass by poking the brittle heap, and at last the sacrifice was
over, the flames turned from pink to blue and died out, the red glow
gave place to black, little luminous red streaks coiled across the
charred sheets and vanished at the margins, and only the ashes of my
inspiration remained. The ink was a lustrous black on the dull blackness
of the burnt paper. I could still read this much of my indiscretion
remaining, "He smiled at them all and said nothing."
"Fool!" I said, and stirred the crackling mass into a featureless heap
of black scraps. Then with my chin on my fists and elbows on knees I
stared at the end of my labours.
Public-domain text, read in full here on John Shaqi.
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