England -- Social life and customs -- 20th century -- Drama; English drama -- 20th century; Middle class -- England -- Drama
MAGGIE. He's twenty-two.
CHARLEY. What's that?
MAGGIE. Lots of men marry at twenty-two.
CHARLEY. More fools they! Getting tied up before they've seen
anything.
MAGGIE. [_thoughtfully._] I can never understand why a man gets
married. He's got so many chances to see the world and do things--and
then he goes and marries and settles down and is a family man before
he's twenty-four.
CHARLEY. It's a habit.
MAGGIE. If I were a man I wouldn't stay in England another week. I
wouldn't be a quill-driver all my life.
_CHARLEY gets up and walks restlessly up and down the room._
If I were a man--
CHARLEY. Men can't do everything.
MAGGIE. I say, don't you think it's fine of Mr. Tennant to throw up
everything and take the risk?
CHARLEY. I'd do the same if . . .
LILY. [_coming forward a little._] Where's Charley? Oh, never mind, I
daresay he's got a lantern and is looking for worms or something. Are
you ready, Mr. Tennant?
MAGGIE. I wonder what Lil would say if you did!
_CHARLEY stops dead and looks at MAGGIE._
CHARLEY. If I _did?_ What are you talking about?
MAGGIE. Why shouldn't you?
CHARLEY. Why shouldn't I? Aren't there a thousand reasons?
MAGGIE. There's Lily, certainly--but . . .
CHARLEY. She wouldn't understand. She'd think I was deserting her.
_A pause._
But that's not all. I might manage her--I don't know--but--you see,
I've got a berth I can stay in all my life . . .
_TENNANT starts singing the first verse of "Off to Philadelphia."_
It's like throwing up a dead cert. And then. . . .
MAGGIE. It _would_ be a splash.
CHARLEY. Yes--and think of all your people? What'd they say? They'd
say I was running away from Lil--of course, it would seem like
it. . . .
_Another pause._
It's impossible. I might never get anything to do--and then--
_His voice is suddenly drowned as the front room party sing the chorus
"With my Knapsack," etc. Knock at front door._
I--
MAGGIE. I believe I heard a knock.
_She goes out in corridor as TENNANT commences the second verse._
_CHARLEY sits on the edge of the table watching and listening. The
door opens and MAGGIE enters, followed by FENWICK. FENWICK is a man of
middle age, short and slight, with a quiet, rather crushed manner._
MAGGIE. Mr. Fenwick didn't want to come in when he heard all the
singing. He thought we had a party.
_She goes through curtains._
CHARLEY. Oh, it's nothing--a sort of family sing-song.
FENWICK. Miss Massey would have me come in--but really I'd rather come
some other--
CHARLEY. Stuff! Sit down. I'll pull the curtains if it's anything
special you've come about. I thought it was perhaps over those
geranium cuttings. Afterwards, if you feel like it, we'll go and join
them. [_Draws curtains and turns up light._] Freddy Tennant--you know
him, don't you--he's going to seek his fortune in the Colonies.
FEN. Is he?
CHARLEY. Yes, and we'll drink his health. What's up?
FEN. I didn't see you at the train to-day.
CHARLEY. No, you were late. I came on with Malcolm.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account