England -- Social life and customs -- 20th century -- Drama; English drama -- 20th century; Middle class -- England -- Drama
MAGGIE. [_impatiently drawing her hand away._] It's still the mood. I
can't help it. I don't feel like love-making.
FOSTER. All right, dear--I won't bother you.
MAGGIE. Perhaps if you did bother--no, never mind. You know I asked
you not to come to-day.
FOSTER. Yes.
MAGGIE. Well, I had no reason, except that I didn't feel like it. But
I ought to feel like you always, didn't I?
FOSTER. You're different from me. I always feel like you.
MAGGIE. Walter, I don't want to settle down. I want to go and--and do
things.
FOSTER. What things, dear?
MAGGIE. Oh, I don't know. [_A pause._] Did you ever go abroad?
FOSTER. Yes, to Paris, once at Easter.
MAGGIE. Oh! just for a holiday. Wouldn't you just love to go out and
try your luck? Have a change?--Do something with your hands? Aren't
you ever tired of what you are doing?
FOSTER. I can't say I am, really. Why should I? The work is not too
hard. But you like change. I have a good salary, you know, dear. When
we are married you can go about a lot, you'll be quite free.
MAGGIE. No, I shan't.
FOSTER. But you can have a servant and all that, you know.
MAGGIE. Oh, yes--yes--I understand.
FOSTER. If I went abroad--suppose it, for instance--I shouldn't have
you, should I?
MAGGIE. No, and a good thing for you. You deserve something better.
You know--you _know,_ Walter, that I don't love you half or a quarter
as you love me.
FOSTER. Yes, I know that. But you don't love anybody else.
MAGGIE. No. Have you ever thought that I'm really marrying you to get
out of the shop?
FOSTER. Of course not. Of course you are glad to leave the shop
because you don't like it. You are so tied.
MAGGIE. I should love to be absolutely independent, quite--altogether
free for a whole year. Oh!
FOSTER. [_a little hurt._] You will be free when you are married to
me, Maggie. You can do anything you like.
MAGGIE. [_looking at him despairingly for a moment, then suddenly
going up to him._] You are a dear!--you are, really! Marry me quick,
Walter!
_He takes her in his arms delightedly._
Quick--or--or--
FOSTER. Or what? [_Very tenderly._]
MAGGIE. Or I shall run away.
FOSTER. And where would you run to?
MAGGIE. Perhaps if I'd known where to run to--I should have gone
before.
FOSTER. Dearest, don't talk like that!
MAGGIE. [_turning away a little._] But I don't! I'm safe!
_MASSEY is heard outside the door, coughing and making a noise.
Enters._
I'm afraid you've caught a cold in the kitchen, Daddy. I thought you
went for the "Argus"?
MASSEY. So I did. [_He looks down at it._]
MAGGIE. And you've brought the "Family Herald." [_She takes it from
him._]
_Enter MRS. MASSEY, CHARLEY, LILY, PERCY and SYBIL._
MRS. M. Play something, Lily.
_LILY goes to piano and picks out some music. SYBIL and PERCY occupy
one big chair between them. CHARLEY stands idly at window, turning
over an album._
PERCY. Going to church, mother?
MRS. M. No, dear, it's a very nasty night. Such a cold wind.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account