England -- Social life and customs -- 20th century -- Drama; English drama -- 20th century; Middle class -- England -- Drama
MASSEY. I should think you're mad, both of you, to talk about it. Go
with who? What for? What're you talking about?
MRS. M. Sybil told me distinctly this afternoon that Charley wanted to
go to Australia. She nearly cried her eyes out. Of course that means
he wants to leave her. What else could it mean? She said he'd been
funny and she was miserable. I said Charley ought to be ashamed of
himself to want to go away like that, and so I think so.
MASSEY. [_sitting up very straight and looking angry._] What's all
this, Charley? What . . .
_FOSTER on tip toe slowly goes to door._
CHARLEY. Don't go, Foster. Let's have all the family in. You're going
to be part of it some day.
FOSTER. [_sitting down again._] I'm quite ready to go.
CHARLEY. No, don't. Let's have it out. You may as well know, all of
you.
MRS. M. [_with a resignation of despair._] Then you do want--to go and
leave her? It's disgraceful!
CHARLEY. [_Angrily._] What stuff you all talk! I--
MRS. M. Do you or do you not want to go?
CHARLEY. Yes, I do!
_General consternation._
MRS. M. There! I said so.
_Enter MAGGIE._
How's the poor dear?
MAGGIE. She says her head is better and she will come down in a
minute. What's the matter?
MRS. M. Charley wants to go to Australia and leave his wife. He's
_told_ us so.
CHARLEY. Well, suppose it was true, wouldn't it be better than going
without telling you? But it isn't true.
MASSEY. Do you want to take Lil with you?
CHARLEY. How could I?
_Enter LILY--all mutter words of encouragement. General movement
towards her. Everybody offers chairs in sympathy. She sits by her
father._
CHARLEY. Look here now, just listen! It's quite true I want to go. I
want to do as Tennant's done, chuck everything and try my luck in the
Colonies. As soon as I had a fair start Lil would come out.
MASSEY. [_interrupting._] Yes, and suppose you failed? You should have
thought of that before you married. You can't run off when you like
when you've a wife.
CHARLEY. [_excitedly._] But why not?
MRS. M. [_interrupting._] Why not?--just hear him.
CHARLEY. It's that I'm just sick of the office and the grind every
week and no change!--nothing new, nothing happening. Why, I haven't
seen anything of the world. I just settled down to it--why?--just
because other chaps do, because it's the right thing. I only live for
Saturday--
PERCY. So do I!--so does everybody!
CHARLEY. But they shouldn't--
PERCY. You don't mean to suggest, I hope, that we ought to _like_ our
work, do you?
MASSEY. Do you suppose I like plumbing? Do you think I ever did? No,
but I stuck to it, and now look at me, got a nice little bit in the
bank and bought my own house. [_looks proudly round._] Of course, I
hated it, just as you do.
MAGGIE. Then why didn't you try something else, Daddy?
MASSEY. I like that! What could I do? I was taught plumbing. We don't
have choice. Your grandfather put me to it, and of course I stuck to
it.
MAGGIE. But why didn't you ask for a choice?
Public-domain text, read in full here on John Shaqi.
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