England -- Social life and customs -- 20th century -- Drama; English drama -- 20th century; Middle class -- England -- Drama
PERCY. Oh, let's drop it, Mother. Play something, Maggie.
MAGGIE. I don't want to.
MRS. M. Walter would like to hear something, wouldn't you, Walter?
FOSTER. If Maggie feels like it.
MAGGIE. She doesn't feel like it.
MASSEY. Be as pleasant as you can, my girl--Charley's enough for one
evening.
_MAGGIE goes to the piano and sitting down plays noisily with both
pedals on, the chorus, "Off to Philadelphia."_
MRS. M. Maggie, it's Sunday!
MAGGIE. I forgot!
MRS. M. You shouldn't forget such things--Sybil, my dear--
SYBIL. I don't play.
MASSEY. Rubbish! Come on!
_SYBIL goes to the piano and PERCY follows her._
PERCY. [_very near to SYBIL and helping to find the music._] Charley
is a rotter! What d'ye think he was telling me the other day?
SYBIL. I don't know.
PERCY. Told me to be sure I'd got the right girl.
SYBIL. Brute!
PERCY. What do you think I said? Darling!
_Kisses her behind music._
MASSEY. [_looking round._] Take a bigger sheet.
_SYBIL sits at piano quickly and plays the chorus to "Count your many
Blessings."_
_To which they all sing--_
Count your blessings, count them one by one,
Count your blessings, see what God has done.
Count your blessings, count them one by one,
And it will surprise you what the Lord has done.
CURTAIN
ACT IV
_SCENE:--Sitting-room at 55 Acacia Avenue. Early morning._
_LILY discovered, cutting sandwiches. Ring at door. LILY admits
MAGGIE, who is dressed for the shop._
LILY. [_rather nervously._] You, Maggie! How early. What is it?
MAGGIE. I've come to help Mr. Tennant off, Lil. Where's Charley? Is he
up?
LILY. Oh, yes. [_MAGGIE goes to the garden door and stands looking
out._] He's been up a long while.
MAGGIE. So the great day has come. [_Turning._] Is Charley going, or
isn't he, Lil?
LILY. [_nervously and avoiding MAGGIE'S eyes._] No, of course not.
MAGGIE. Why not?
LILY. Because--why, how can he? [_Tearfully._] Don't speak in that
tone, Maggie.
MAGGIE. He would have decided to go, if you had encouraged him.
LILY. I _did_ encourage him. You heard me last night. I told him--and
I told him again after we got home--"If you want to go, I'll never
stand in your way."
MAGGIE. Yes, I heard. Is that how you told him last night?
LILY. It doesn't matter how I said it. He'll get over it. Everybody
says he will--except you. And how could he go? It's just an idea he's
got over Mr. Tennant.
MAGGIE. [_angrily._] Of course it's Mr. Tennant. Everybody speaks as
if Mr. Tennant was a wicked person going round tempting poor husbands
to desert their wives. "It's all that Mr. Tennant." "What a blessing
when that man goes," etc., etc., as if he had a bad character. The
truth is, that he's done a jolly good thing. He's stirred us all up.
He's made us dissatisfied.
LILY. What's the good of that? Nobody can make things different if
they wanted to.
Public-domain text, read in full here on John Shaqi.
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