England -- Social life and customs -- 20th century -- Drama; English drama -- 20th century; Middle class -- England -- Drama
MAGGIE. I thought he looked a little--upset. . . .
LILY. He is rather. He's quite overcome, in fact. But then he would
be, of course.
_MAGGIE closes door, still looking at LILY._
MAGGIE. What about?
LILY. What could I tell him, that would make him more pleased than
anything else?
MAGGIE. I'm sure I don't know.
LILY. What generally happens when people are married?
MAGGIE. That! [_Pause._] Lily!
LILY. Charley is delighted.
MAGGIE. [_unconsciously speaking her thought._] So you've _got_ him
after all.
LILY. [_indignant._] Maggie!!
MAGGIE. Why did you tell him _now?_
_LILY goes out, a little indignant._
_CHARLEY enters from kitchen, dressed for the office._
MAGGIE. Charley!
CHARLEY. What's up? Don't rot, Mag!
MAGGIE. And now--
CHARLEY. Oh, let's drop it. I was a fool all along--a bit of a beast,
too--it's done with. . . .
MAGGIE. But--
CHARLEY. What's the good of talking? Don't make me out more of a brute
than I am! No, the thing was meant to be! I was mad. After all, a man
can't do just what he likes! It's better as it is. If this hadn't
happened I should have done it--and a pretty mess, I daresay, I'd have
been in--and dragged her in, too--
MAGGIE. If--
_LILY enters._
. . . I don't think I can wait for you, after all, Charley.
CHARLEY. Don't trouble.
MAGGIE. Good-bye.
_She goes._
LILY. You didn't open your letters, dear.
CHARLEY. What are they?
LILY. [_tearing one open._] About the new lodger--very quick
replies. . . .
CHARLEY. [_hastily._] Oh, leave them over.
LILY. Ready?
CHARLEY. [_moving his neck uneasily in the high collar._] Yes--this
beastly collar.
LILY. It's a pity they make you wear such things.
CHARLEY. I've got a short neck. I suppose you shouldn't be a clerk, if
you've got a short neck. It doesn't fit the collars.
LILY. What an idea!
_CHARLEY stands looking at the map a moment. Suddenly he tears it down
and throws it into the fire._
CHARLEY. Good-bye, Lil. [_He kisses her._]
LILY. Good-bye, dear.
_He picks up his silk hat and gloves and puts the hat on as he reaches
the door._
_LILY runs to the door._
Good-bye.
CHARLEY. Good-bye. [_From outside._]
_There is a sound of the front door slamming._
_LILY starts chorus of hymn:_
Count your blessings, count them one by one.
Count your blessings, see what God has done, etc.
CURTAIN
Transcriber's Note
This transcription is based on scanned images posted by the Internet
Archive from a copy in the University of Toronto Libraries:
archive.org/details/chainsplayinfour00bakeuoft
The following changes were made:
- p. 2: LILY. Who's Poppy, dear.--Changed period to a question mark.
- p. 7: I've er--got some news for you.--Inserted dash after "I've".
- p. 12: You are quite free to do as you like, aren't' you, Mr.
Tennant?--Deleted apostrophe after "aren't".
- p. 15: [_lifting the curtain and coming forward with
Leslie._]--Changed "_Leslie_" to unitalicized all caps.
Public-domain text, read in full here on John Shaqi.
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