Chains : $b lesser novels and storiesDreiser, Theodore
General
Chains : $b lesser novels and stories
Dreiser, Theodore
American fiction -- 20th century; Short stories, American
“Once you’re outa here an’ I am, too, I’d like to see you again, only
there ain’t no use your writin’ me here, for I don’t believe they’d
give it to me. I don’t believe they’d want us to run together. I don’t
believe they like me as well as they do you. But you write me, wherever
you are, care of —,” and here she gave a definite address—“an’ I’ll get
it when I get out.”
She assured Madeleine that she would probably be able to get a good
place, once she was free of the control of the Sisters, and then she
might be able to do something for her.
Often during these dark new days she thought of this, and being
hard-pressed for diverting interests in her life she finally wrote her,
receiving in due time a request to come and see her.
But, as it proved, Viola was no avenue of improvement for her in her
new mood. She was, as Madeleine soon discovered, part of a small group
which was making its way along a path which she had promised herself
henceforth to avoid. Viola was more comfortably placed in quarters of
her own than Madeleine had ever been, but the method by which she was
forwarding her life she could not as readily accept.
Yet her own life, move about as she might and did after a time from
one small position to another, in store or factory, in the hope of
bettering herself, held nothing either. Day by day as she worked she
sensed all the more clearly that the meagre tasks at which she toiled
could bring her nothing of permanent value. Her mother was dead now,
and she more alone than ever. During a period of several years, in
which she worked and dreamed, leading a thin, underpaid life, her
mind was ever on love and what it might do for her—the pressure of a
seeking hand, the sanctuary of an enveloping heart.
And then, for the second time in her brief life, love came, or seemed
to—at least in her own heart if nowhere else.
She had by now, and through her own efforts, attained to a clerkship
in one of the great stores at the salary of seven dollars a week, on
which she was trying to live. And then, behold, one day among her
customers one of those suave and artful masters of the art of living by
one’s wits, with a fortune of looks, to whom womanhood is a thing to
be taken by an upward curl of a pair of mustachios, the vain placement
of ringed locks, spotless and conspicuous linen, and clothes and
shoes of a newness and lustre all but disturbing to a very work-a-day
world. His manners and glances were of a winsomeness which only the
feminine heart—and that unschooled in the valuelessness of veneer—fully
appreciates.
Yes, the sheer grace of the seeking male, his shallow and heartless
courtesy, the lustre of his eye and skin, a certain something of
shabby-grand manner, such as she had never known in the particularly
narrow world in which she moved, was sufficient to arrest and fix her
interest.
Public-domain text, read in full here on John Shaqi.
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