"In the kadamba grove what man is (that) standing? What sort of word
coming is this: the plough of whose meaning has penetrated startlingly
the path of hearing? With a hint of union, with its manner of
penetrating making one well-nigh mad: My mind is agitated, it cannot
be still, streams flow from my eyes: I know not what manner of man it
is who utters such words: I see him not, my heart is perturbed, I
cannot stay in the house: My soul rests not, it flutters to and fro in
hope of seeing him: When she sees him, she will find her soul, quoth
Urdbab Dâs."
I have left myself no space to finish this Pallab, or to make remarks
on the peculiarities of the language, which in the older masters would
more properly be called old Maithila than Bengali. It is nearly
identical with the language still spoken in Tirhut, the ancient
Mithili, and in Munger and Bhâgalpur, the ancient Magadha, than modern
Bengali. As the Aryan race grew and multiplied it naturally poured out
its surplus population in Bengal, and it is not only philologically
obvious that Bengali is nothing more than a further, and very modern
development of the extreme eastern dialect of Hindi. All these
considerations, however, I hope still further to develop at some future
time.
End of the Project Gutenberg EBook of Chaitanya and the Vaishnava Poets of
Bengal, by John Beames
Public-domain text, read in full here on John Shaqi.
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