Chaitanya's Life And Teachings: From his contemporary Begali biography the Chaitanya-charit-amritaKṛṣṇadāsa Kavirāja Gosvāmi
Religion
Chaitanya's Life And Teachings: From his contemporary Begali biography the Chaitanya-charit-amrita
Kṛṣṇadāsa Kavirāja Gosvāmi
Chaitanya, 1486-1534; Hinduism
Thus did the Master play for some time, singing and making His followers
dance, now assuming one form, now many, ever putting forth His powers
according to the work to be done. In the ardour of play He forgot
Himself, and wished not to put a stop to it. Every moment did He do
supernatural feats, as He had in a preceding birth performed _rása_ and
other sports at Brindában.
Dancing thus, the Master swept the people away on the wave of enthusiasm
As Jagannáth was going to the Gundichá garden-house, the Master
performed _kirtan_ before the god for a long time. First He made His
_bhaktas_ dance, and then, wishing to dance Himself, united the seven
parties, placed nine men (Shribas, Rámái, Raghu, Govinda, Mukunda,
Haridas, Govindánanda, Madhav, and Govinda) under Swarup to sing and
move in the Master's company, while the other parties sang around Him.
After bowing to Jagannáth, with folded palms and uplifted face the
Master prayed:
_"Salutation to Shri Krishna! who is the divine God, the protector of
brahmans and kine, and benefactor of the universe. To Krishna, to
Govinda, I bow again and again!"_ (_Vishnu Puran_, pt. I. xix. 48.)
_"Victory attend Devaki's son, the Lamp of the Vrishni race, the lord!
Deep blue like the clouds is his colour, tender are his limbs. He is the
Redeemer of the world from its load of sin. Victory to him! Victory!"_
(_Padávali_, c. 108.) Also _Bhágabat_, X. xc. 24 and _Padávali_,
c. 63.
Reciting these verses the Master bowed low again, while the _bhaktas_
with folded palms adored God. Dancing impetuously with loud roars, He
moved in circles, like a lathe. Wherever His feet touched the ground,
the "earth with its hills and oceans trembled. He manifested stupor,
perspiration, joyous weeping, tremour, turning pale, all sorts of
helplessness, pride, exultation and humility. Stumbling He rolled on the
ground, like a golden hill thrown on the earth. Nityánanda and Adwaita
hastened to raise Him up in their arms, shouting _Hari! Hari!_ Three
circles were formed to keep the crowd back. The first was formed by
Nityánanda, the second was composed of Kashishwar, Mukunda and other
_bhaktas_ locking their hands together. Outside Pratap Rudra with his
ministers formed another ring to keep the spectators in check. The king,
with his hand resting on the shoulder of his prime-minister, was gazing
in absorption at the Master's dance. As Shrinibas, sunk in devotion, was
standing before the king, the prime-minister touched him and said "Step
aside." But Shrinibas in the ardour of his dancing was forgetful of all
else. He was pushed repeatedly and at last grew angry and slapped the
minister to stop his pushing. At this the minister in anger wanted to
rebuke him, but Pratap Rudra checked him saying, "Blessed art thou, to
be touched by him. Such happiness has not been my share!"
Public-domain text, read in full here on John Shaqi.
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