Not to speak of the people, even Jagannáth himself wondered at the dancing of the Master, stopped his car, and gazed at the dance with winkless eyes. Subhadra and Balarám smiled in delight at the sight of the dance. A strange change came over the Master while dancing with all His might: all the eight spiritual phases (_sátwik bháb_) manifested themselves at the same time. His hair stood on end, with their roots in the skin bulging out, like a _Shimul_ tree girt round with thorns. His teeth clashed together fearfully, as if they would be dislocated. Blood and sweat ran over His body. He lisped _ja--ja--ga--ga_ inarticulately. His eyes poured down tears like syringes, and moistened the men around. Fair was His complexion, at times turning into rosy, at times resembling the _Malliká_ flower. At times He stood inert, at times He rolled on the ground; at times motionless like a dry wood, at other times prostrate on the ground and breathing faintly, to the alarm of His _bhaktas_. At times water oozed out of His eyes and nostrils and foam out of His mouth,--as the moon sheds bubbles of nectar. Shuvánanda, mad with passion for Krishna, collected and drank up that froth; highly fortunate was he. After dancing violently for some time the Master wished to manifest another mood. Leaving the dance He bade Swarup sing. Swarup, knowing His taste, began,-- _"I have met the lord of my life, For whose sake I had been withering in the fire of Cupid."_ Loudly did Swarup sing this burden, while the Master in delight danced tenderly. Slowly Jagannáth's car moved on, Shachi's son dancing before it. With eyes fixed on Jagannáth all danced and sang. (At times) the Master walked behind the car with the party, of _kirtan_ singers,--His arms making the action of song. When Chaitanya lagged behind, Jagannáth stopped his car; when the Master walked ahead the god propelled his car slowly. Thus did the two urge each other on! In the course of dancing another change of mood came over the Master: with uplifted arms He loudly recited the following stanza. (_Kavya-prakash_, I. canto 4 and also _Padávali_ c. 380).