Chaldea: From the Earliest Times to the Rise of AssyriaRagozin, Zénaïde A. (Zénaïde Alexeïevna)
History
Chaldea: From the Earliest Times to the Rise of Assyria
Ragozin, Zénaïde A. (Zénaïde Alexeïevna)
Babylonia -- History
25. This higher and therefore later stage of moral and religious
development is very perceptible in the third book of the Magic
Collection. With the appreciation of absolute goodness, conscience has
awakened, and speaks with such insistence and authority that the
Shumiro-Accad, in the simplicity of his mind, has earnestly imagined it
to be the voice of a personal and separate deity, a guardian spirit
belonging to each man, dwelling within him and living his life. It is a
god--sometimes even a divine couple, both "god and goddess, pure
spirits"--who protects him from his birth, yet is not proof against the
spells of sorcerers and the attacks of the demons, and even can be
compelled to work evil in the person committed to its care, and
frequently called therefore "the son of his god," as we saw above, in
the incantation against the Disease of the Head. The conjuration or
exorcism which drives out the demon, of course restores the guardian
spirit to its own beneficent nature, and the patient not only to bodily
well-being, but also to peace of mind. That is what is desired, when a
prayer for the cure of a sick or possessed person ends with the words:
"May he be placed again in the gracious hands of his god!" When
therefore a man is represented as speaking to "his god" and confessing
to him his sin and distress, it is only a way of expressing that silent
self-communing of the soul, in which it reviews its own deficiencies,
forms good resolutions and prays to be released from the intolerable
burden of sin. There are some most beautiful prayers of this sort in the
collection. They have been called "the Penitential Psalms," from their
striking likeness to some of those psalms in which King David confesses
his iniquities and humbles himself before the Lord. The likeness extends
to both spirit and form, almost to words. If the older poet, in his
spiritual groping, addresses "his god and goddess," the higher, better
self which he feels within him and feels to be divine--his Conscience,
instead of the One God and Lord, his feeling is not less earnest, his
appeal not less pure and confiding. He confesses his transgression, but
pleads ignorance and sues for mercy. Here are some of the principal
verses, of which each is repeated twice, once addressed to "my god,"
and the second time to "my goddess." The title of the Psalm is: "The
complaints of the repentant heart. Sixty-five verses in all."
Public-domain text, read in full here on John Shaqi.
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