Chambers's Edinburgh Journal, No. 308: New Series, Saturday, November 24, 1849Various
General
Chambers's Edinburgh Journal, No. 308: New Series, Saturday, November 24, 1849
Various
Periodicals
The conceptions of female beauty which men form for themselves are
frequently, if not always, overturned by some plain face, in which
they find the mystic influence they had supposed to belong only to
features of a particular and more perfect mould. In like manner our
theories touching certain departments of literature are liable to be
damaged now and then by the appearance of a work which fulfils not
one of the conditions we had laid down as absolute necessities. Now
here, for instance, is a volume of fiction without even an attempt at
a plot, and yet with a perfect enchainment of interest--a hero without
adventures and without a heroine, yet whose fortunes we follow with a
true excitement! How does this come about? Why do we love plain women,
and admire ill-constructed books? Because there is an innate power
in the irregular features to excite our sympathies, and a quality in
authors, called Genius, to command them. No man, we will venture to
say, possessing common sensibility, can read 'Cola Monti,'[14] although
it is of the class of books for young people, without a thoughtful brow
and a glistening eye; and we have heard a family circle declare that
'they had found it impossible to lay down the volume till they had
finished it.'
Cola Monti is an Italian boy educated economically at a boarding-school
in England. His talent for drawing exhibited itself first in
caricatures of his companions, and he then ventured to try his hand
upon the master himself. 'This was irresistible; and when the Doctor
stood out in relief from the slate in all his peculiarities--his stiff
collar, his upright hair, and his spectacles--the likeness was such,
that the boys gave a general hurra. So much noise did they make, and so
intent were they, that no one heard the door open, until the original
of the portrait looked over Cola's shoulder and beheld--himself! It
was a terrible moment in schoolboy annals. The Doctor looked, frowned,
glanced round at the young rebels, then again at the slate. Whether it
was that natural vanity made him feel rather pleased to see the only
likeness of himself which had ever been taken, or whether Cola's sketch
had less of caricature than nature, it is impossible to say; but Doctor
Birch smiled--absolutely smiled! He was a good-tempered man, and the
boys knew it: they took advantage of it sometimes, the naughty fellows!
So the smile gradually went round, until it became a laugh, and the
schoolmaster could not help laughing too.' The boy-artist then, at the
instigation of his companions, resolved to try his chivalrous friend
and patron Archibald M'Kaye:--'Archibald looked surprised, and rather
vexed; for one of his weaknesses was, that he could not bear being
laughed at; however, he took his station. Cola finished the sketch,
but it was no caricature: it was a capital likeness of Archibald's
thoughtful head, with the soft curling hair, and the calm, serious
eyes. "Why, Cola, you ought to be an artist," cried the boys when they
saw it.
Public-domain text, read in full here on John Shaqi.
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