Chambers's Edinburgh Journal, No. 309: New Series, Saturday, December 8, 1849Various
General
Chambers's Edinburgh Journal, No. 309: New Series, Saturday, December 8, 1849
Various
Periodicals
museum, devoted to keeping certain relics of the Scottishmen. In the
inner chamber of a little cottage a woman showed me, ranged along a
wall, five matchlocks, two of them very long, two Highland dirks, a
broadsword, a spur, two powder flasks, the wooden tube of a drum, and
a small iron-hooped box. The sight of these objects so near the scene
of the slaughter helps wonderfully to realise it; and it is impossible
for a Scotsman at least to look on them without emotion. I thought,
however, of the mercy of Providence, which causes the waves of time to
close over the most terrible and the most distressing things, sweeping
away all the suffering--exhaling calamity, as it were, into air--and
leaving only perhaps a few tangible objects to remind us by association
that 'such things were.'
In the evening I arrived at Laurgaard, where it was necessary to spend
the night.
R. C.
FOOTNOTES:
[2] I am told that these habits do not exist in good society at
Christiania.
[3] The greatest summer height of the Miösen Lake is 430 feet; the
winter height, 410. Finding the level at this time ten feet below the
mark considered as that of highest water, I considered the lake as
being now 420 feet above the sea.
[4] Laug in Norwegian signifies _water_. It is a generic term here
specially applied.
[5] See Tait's Edinburgh Magazine, September 1837, where the original
ballad is also given.
LONDON GOSSIP.
_November, 1849._
The long vacation is over--cholera has flown away, or gone into
winter quarters--the raising of blinds and unclosing of shutters in
stylish streets indicate the return of families whose absence has
been prolonged by fears of contagion--business, long stagnant, is
reviving--street-traffic is resuming its wonted density--the new Lord
Mayor has 'showed' himself, as of old--the November fogs are entombing
us in their fuliginous darkness--all of which, whether fact, figure,
or fancy, is an intimation that we are in the advent of another London
season.
Public-domain text, read in full here on John Shaqi.
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