'There, my dear,' He said to her, as he perceived Henry; 'there is the cleverest pupil in the academy. This little fellow really promises to do me great credit one day. Well, my little friend, what do you wish to say to me?' 'Sir, my father is very ill--the doctor fears that he may die: poor mamma, who is very fond of papa, wishes to have his portrait. Would you, sir, be kind enough to take it? O do not, pray, sir, do not refuse me!' said Henry, whose tearful eyes were fixed imploringly on the artist. 'Impossible, Henry--impossible!' replied the painter. 'I am paid three thousand francs for every portrait I paint, and I have five or six at present to finish.' 'But, my dear,' interposed his wife, 'it seems to me that this portrait would take you but little time: think of the poor mother, whose husband will so soon be lost to her for ever.' 'It grieves me to refuse you, my dear; but you know that my battle-piece, which is destined for Versailles, must be sent to the Louvre in a fortnight, for I cannot miss the Exposition this year. But stay, my little friend, I will give you the address of several of my pupils: tell them I sent you, and you will certainly find some one of them who will do what you wish. Good-morning, Henry!' 'Good-by, my little friend,' added the lady. 'I hope you may be successful.' The boy took his leave with a bursting heart. Henry wandered through the gardens of the Luxembourg, debating with himself if he should apply to the young artists whose addresses he held in his hand. Fearing that his new efforts might be equally unsuccessful, he was trying to nerve himself to encounter fresh refusals, when he was accosted by a boy of his own age, his fellow-student at the drawing-school. Jules proposed that they should walk together; then observing Henry's sadness, he asked him the cause. Henry told him of his mother's desire; their master's refusal to take the portrait; and of his own dislike to apply to those young artists, who were strangers to him. 'Come with me,' cried Jules, when his friend had ceased speaking. 'My sister is also an artist: she has always taken care of me, for our father and mother died when we were both very young. She is so kind and so fond of me that I am very sure she will not refuse.' The two boys traversed the Avenue de l'Observatoire, the merry, joyous face of the one contrasting with the sadness and anxiety of the other. When they got to the end of the avenue they entered the Rue de l'Ouest, and went into a quiet-looking house, up to the fourth storey of which Jules mounted with rapid steps, dragging poor Henry with him. He tapped gaily at a little door, which a young servant opened: he passed through the antechamber, and the two boys found themselves in the presence of Emily d'Orbe, the sister of Jules.