Chambers's Edinburgh Journal, No. 424: Volume 17, New Series, February 14, 1852Various
History
Chambers's Edinburgh Journal, No. 424: Volume 17, New Series, February 14, 1852
Various
Periodicals
'Pshaw!' cried the lady impatiently; 'and what is that for a grief? a
day's disappointment which a day's labour can repair! To me, your
troubles seem of no more worth than a child's tears when he has broken
his newest toy! Here is Birmingham, and I must bid you farewell.
Perhaps you will open the door for me? Good-morning: you have made my
journey pleasant, and relieved my ennui. I shall be happy to see you
in town, and to help you forward in your career.'
And with these words, said in a strange, indifferent, matter-of-fact
tone, as of one accustomed to all the polite offers of good society,
which mean nothing tangible, she was lifted from the carriage by a
train of servants, and borne off the platform.
I looked at the card which she placed in my hand, and read the address
of 'Mrs Arden, Belgrave Square.'
I found my friend waiting for me; and in a few moments was seated
before a blazing fire in a magnificent drawing-room, surrounded with
every comfort that hospitality could offer or luxury invent.
'Here, at least, is happiness,' I thought, as I saw the family
assemble in the drawing-room before dinner. 'Here are beauty, youth,
wealth, position--all that makes life valuable. What concealed
skeleton can there be in this house to frighten away one grace of
existence? None--none! They must be happy; and oh! what a contrast to
that poor lady I met with to-day; and what a painful contrast to
myself!'
And all my former melancholy returned like a heavy cloud upon my brow;
and I felt that I stood like some sad ghost in a fairy-land of beauty,
so utterly out of place was my gloom in the midst of all this gaiety
and splendour.
One daughter attracted my attention more than the rest. She was the
eldest, a beautiful girl of about twenty-three, or she might have been
even a few years older. Her face was quite of the Spanish style--dark,
expressive, and tender; and her manners were the softest and most
bewitching I had ever seen. She was peculiarly attractive to an
artist, from the exceeding beauty of feature, as well as from the
depth of expression which distinguished her. I secretly sketched her
portrait on my thumb-nail, and in my own mind I determined to make her
the model for my next grand attempt at historical composition--'the
Return of Columbus.' She was to be the Spanish queen; and I thought of
myself as Ferdinand; for I was not unlike a Spaniard in appearance,
and I was almost as brown.
Public-domain text, read in full here on John Shaqi.
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