From the troubled scenes she had witnessed, her mind had acquired composure and courage unusual with her sex, and it was of that high stamp that is prone to admire with enthusiasm all generous and self-devoting deeds. Such a being, however apt to inspire love, was not likely to be easily won; accordingly, the crowd of lovers who at first surrounded Dianora gradually dropped off, for they gained no favour. All were received with the same bright and beautiful smile, and a gay, charming grace, which flattered no man's vanity; so they carried their homage to other shrines where it might be more prized, though by an inferior idol. And what felt Dianora when her votaries left her? We are not told; but not long after, you might see, if you walked along the street of the Bardi towards evening, a beautiful woman sitting near a balcony: a frame of embroidery is before her; but her eyes are oftener turned to the street than to the lilies she is working. It is Dianora. But surely it is not idle curiosity that bends her noble brow so often this way, and beams in her bright, speaking eyes, and sweet, kind smile. On whom is it turned, and why does her cheek flush so quickly? A youth of graceful and manly appearance is passing her window; his name is Hyppolito: he has long cherished the image of Dianora as Dante did that of his Beatrice. In loving her, he loved more ardently everything that is good and noble in the world; he shunned folly and idleness, and strove to make himself worthy of what he believed Dianora to be. At length, one of Cupid's emissaries--whether nurse or friend the chronicle does not tell--aided Hyppolito in meeting Dianora. One meeting succeeded another, till she gave him her heart, as such a true, young heart is given, with entire confidence, and a strength of feeling peculiar to herself. But what could they hope? Hyppolito's family were of the opposite party, and they knew it was vain to expect from them even a patient bearing; nor were the Bardi behind in proper feelings of hatred. What was to be done? There was but one Dianora--but one Hyppolito in the world; so have many wise young people thought of each other both before and since the days of the Ghibelines; but these two might be excused for thinking so, for many who saw them were of the same opinion. To part--what was the world to them if they were parted? Their station, their years, their tastes--so removed from noisy and frivolous pleasures--their virtuous characters, seemed to point out that they were born for each other. What divided them? One only point--the adverse political feelings of their families. Shall they sacrifice themselves to these? No. Thus reasoned Hyppolito; but we think the chronicles exaggerate the virtues of Dianora's character; for how many a girl unchronicled by fame has, before the still tribunal of her own sense of duty to God and her parents, sacrificed her dearest hopes rather than offend them; and this, with all her heroism, Dianora did