Referring first to the personal history of Taou-Kwang, we find that his education was more Tatar than Chinese. He was one of the numerous grandchildren of the imperial house of Keelung, but without any expectation of filling the throne, as both his mother and paternal grandmother were inferior members of the imperial harem. The discipline under which the royal family was trained, was of the strictest kind. Each of the male children, on completing his sixth year, was placed with the rest under a course of education superintended by the state. Though eminent doctors were engaged to instruct them in Chinese literature, yet archery and horsemanship were considered higher accomplishments, and the most expert masters from Mongolia and Manchooria trained them in these exercises. They were treated as mere schoolboys, were allotted a very small income for their maintenance, were closely confined to the apartments assigned to them, kept in entire ignorance of passing events, and allowed little intercourse with the court--none with the people. Not till each had passed his twentieth year, was there any relaxation of this discipline. Taou-Kwang was about this age when his father ascended the throne, in consequence of the somewhat capricious appointment of Keelung, who abdicated, and soon after died. The new emperor surrounded himself with buffoons, playactors, and boon-companions. The debaucheries, jealousies, and cruelties of his reign, remind us of what we have half sceptically read of Nero and Caligula. But Taou-Kwang kept aloof alike from the frivolities and the intrigues of his father's court: he seemed to have no desire ungratified so long as he had his bow and arrows, his horse and matchlock; and even after he was unexpectedly nominated heir to the throne, in consequence of having personally defended his father from a band of assassins, his new expectations made no difference in his frugal and modest way of life. The emperor at length died; it did not clearly appear by what means, and it would perhaps have been troublesome to inquire: the empress-dowager waived the claims of her son; and Taou-Kwang ascended the throne without bloodshed. The luxury of the preceding reign now gave place to sobriety and economy; though the usual ceremonies of the court were strictly observed, they were conducted in the least expensive manner; and the ruling passion of the monarch soon appeared to be avarice. Taou-Kwang had no taste either for literature or the arts; and he jumbled together in one large magazine the beautiful pictures, clocks, and musical instruments accumulated by his ancestors. To explain and repair these, there had always been Europeans, chiefly Portuguese, in attendance; and to some of these we have been indebted in times past for memoirs of the court of Peking; but Taou-Kwang dismissed the last of them. It is believed that an undefined dread of Western power had much to do with this distaste for the products of its ingenuity.