Chambers's Edinburgh Journal, No. 435: Volume 17, New Series, May 1, 1852Various
History
Chambers's Edinburgh Journal, No. 435: Volume 17, New Series, May 1, 1852
Various
Periodicals
my present state of wealth and influence, I might have saved, and
reclaimed, and preserved him, even to the present day. He would not
have been so old as my brother-judge, Lord Glenlee, or Lord Lynedoch,
or a dozen others that one meets daily in society. And what a
creature, not only in genius, but in nobleness of character,
potentially at least, if right models had been put _gently_ before
him!'
The narrative of Lord Cockburn occupies only one volume, the other
being filled with a selection from Lord Jeffrey's letters. It is a
brief chronicle of the subject; many will feel it to be
unsatisfactorily slight. The author seems to have been afraid of
becoming tedious. It is, however, a manly and faithful narration, with
the rare merit of going little, if at all, beyond bounds in its
appreciation of the hero or his associates, or the importance of the
circumstances in which he moved. The sketches of some of Jeffrey's
contemporaries, as John Clerk, Sir Harry Moncreiff, and Henry Erskine,
are vigorous pieces of painting, which will suggest to many a desire
that the author should favour the public with a wider view of the men
and things of Scotland in the age just past. With a natural partiality
as a friend and as a biographer, he seems to us to set too high an
estimate on Jeffrey when he ranks him as one of a quartett, including
Dugald Stewart, Sir Walter Scott, and Dr Chalmers, 'each of whom in
literature, philosophy, or policy, caused great changes,' and 'left
upon his age the impression of the mind that produced them.' Few of
his countrymen would claim this rank for either Jeffrey or Stewart.
Jeffrey, no doubt, raised a department of our literature from a low to
a high level; he was a Great Voice in his day. But he produced nothing
which can permanently affect us; he gave no great turn to the
sentiments or opinions of mankind. His only original effort of any
mark, is his exposition of the association theory of beauty, which
rests on a simple mistake of what is pleasing for what is beautiful,
and is already nothing. We suspect that no man with his degree of
timidity will ever be very great, either as a philosopher or as a man
of deeds. He was a brilliant _writer_--the most brilliant, and, with
one exception, the most versatile in his age; but to this we would
limit his panegyric, apart from the glory of his long and consistent
career as a politician, which we think can scarcely be overestimated.
So many of the most remarkable passages of the work have been already
hackneyed through the medium of the newspapers, that we feel somewhat
at a loss to present any which may have a chance of being new to our
readers. So early as his twentieth year, we find Mr Jeffrey thus
sensibly expressing himself on an important subject:--
Public-domain text, read in full here on John Shaqi.
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