Chambers's Edinburgh Journal, No. 437: Volume 17, New Series, May 15, 1852Various
History
Chambers's Edinburgh Journal, No. 437: Volume 17, New Series, May 15, 1852
Various
Periodicals
The man alluded to belonged to the latter class, having probably
travelled for his country's good from the tamer lowlands of Bengal;
and when the traveller asked him how he liked the region, he expressed
the utmost awe, united with the bitterest condemnation of the
Europeans, for desecrating by their roads and other works a place so
obviously the abode of deutas and spirits. He said, that when they had
begun to carry the up-hill road through these primeval forests, they
were warned of their impiety by the voices of the gods themselves, in
bursts of unearthly music, blasts of the trumpet, and the clash of
cymbals and gongs.
'The first tree we struck with the axe,' added he with a shudder, 'ran
milk; and the second, blood!' Of these two substances, the former is
still more ominous in the Brahminical faith than the latter, for
everything connected with the cow is sacred and mysterious.
'Well,' said the inquirer, 'what happened--since in spite of these
omens you persisted in your task? Did the gods take vengeance?'
'Yes,' said he solemnly; 'but _we_ were only instruments, like the
axes in our hands; and the vengeance, therefore, fell upon the prime
mover. The governor'--coming close up to the lady, and putting his
mouth to her ear--'the governor died!' Now, all this was true--music,
milk, blood, and death; and yet none of these was more the work of
supernatural agency than any of the common circumstances of life.
The supposed unearthly sounds proceed neither from birds nor men, and
the effect is either pleasing or awful, according to the mood of the
listener. Some, in such circumstances, instead of receiving
impressions of awe, like the Hindoo convict, would exclaim:
Where should this music be--i' the air, or the earth?
It sounds no more: and sure it waits upon
Some god of the island.
And again:
----The isle is full of noises,
Sounds, and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears; and sometimes voices,
That, if I then had waked after long sleep,
Will make me sleep again.
One would think Shakspeare had actually been in some tropical forest
when the daylight began to fade, and the myriads of insects to take up
their evening-song! One of these extraordinary musicians is
distinguished as the trumpeter; another produces a tinkle like a bell;
and a third gives forth a sound which the imagination may ascribe to
any instrument, or band of instruments, it pleases. This species of
cricket buries himself in a centre, to which converge seven holes,
which he has drilled in a circle; and from these seven tubes a sound
rushes forth, which almost stuns the passer-by. It may be conceived,
therefore, that a forest peopled with myriads upon myriads of such
'executants,' must have a strain for every ear, every mood, and every
conscience.
Public-domain text, read in full here on John Shaqi.
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