Chambers's Edinburgh Journal, No. 451: Volume 18, New Series, August 21, 1852Various
History
Chambers's Edinburgh Journal, No. 451: Volume 18, New Series, August 21, 1852
Various
Periodicals
It was well known that the affair described was a real one--that the
Willie who gave the entertainment was Mr William Nicol, a master in
the High School of Edinburgh--Rab, the poet himself--and Allan, a
certain Mr Masterton, likewise of the Edinburgh High School: three
merry-hearted men, of remarkable talents and many other good
properties, but who, unfortunately, were all of them too liable to the
seductions of the 'barley-bree.' That such was the scene, and such the
actors, we had learned from Burns himself, who thus annotated the song
in a musical collection: 'This air is Masterton's; the song mine. The
occasion of it was this: Mr William Nicol, of the High School,
Edinburgh, during the autumn vacation being at Moffat, honest
Allan--who was at that time on a visit to Dalswinton--and I went to
pay Nicol a visit. We had such a joyous meeting, that Mr Masterton and
I agreed, each in our own way, that we should celebrate the business.'
That is to say, Burns undertook to compose a song descriptive of the
merry encounter, while Mr Masterton, who was an amateur musician,
should compose an appropriate air. So far there seems to be little
obscurity about the matter. The locality pointed out is the well-known
spa village of Moffat, situated among the hills of Annandale, about
twenty miles from Ellisland. Nicol had had a lodging there, in which
to enjoy his few weeks of autumn vacation; Burns and Masterton--the
one from Ellisland, the other from Dalswinton--had journeyed thither
in company; and there, probably in some small cottage room, had the
strength of the peck o' maut been tried. Most likely, as Moffat is so
far on the way from Dalswinton to Edinburgh, Mr Masterton would part
with his two friends next day, and proceed on his way to the city,
while Burns returned to his farm, lone-meditating on the song in which
he was to make the frolic immortal.
Public-domain text, read in full here on John Shaqi.
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