Departing a little from the method and order observed by Mr Hunter in his tract, we will endeavour not only to state in a condensed form the remarkable conclusions at which he has arrived, but also to follow, as accurately as his references will enable us to do so, the ingenious processes of investigation which led to these results. The object of the inquiry was to determine, in the first place, whether such a person as Robin Hood ever existed; and, in the second place, to ascertain who and what he was, and to what extent the ballads of which he was the hero were based upon actual occurrences. What a vast amount of uncertainty there was to clear up, may be inferred from the wide differences of opinion among writers of the highest credit who preceded Mr Hunter in this inquiry. The celebrated historian of the Norman Conquest, M. Thierry, supposes Robin Hood to have been the chief of a small body of Saxons, who, in their forest strongholds, held out for a time against the domination of the Norman conquerors. On this point, as confessedly on others, the French historian seems to have derived his opinions from the suggestive scenes in Scott's splendid romance of _Ivanhoe_. Another writer conjectures, that the outlaws of whom Robin was the leader, may have been some of the adherents of Simon de Montfort, whose partisans were pursued to extremity after the fatal battle of Evesham, in the year 1264. Others, still, have denied altogether the existence, at any period, of such a person as Robin Hood. They make him either a mere hero of romance--the 'creation of some poetical mind;' or else, led by a similarity of names, they discover in him merely one of the embodiments of popular superstitions--a sylvan sprite, a Robin Goodfellow, or a Hudkin. Only two years ago, a historical writer of no small acumen, Mr Thomas Wright, published his opinion, that Robin Hood, in his original character, was simply 'one amongst the personages of the early mythology of the Teutonic people.' But Mr Hunter could not concur in these views, or be satisfied with the mode of reasoning by which they were maintained. In his opinion, Robin Hood was neither a Saxon malcontent nor the hero of a poet's romance; nor yet was he 'a goblin or a myth.' He was, in all probability, exactly such a person as the popular songs described him--an English yeoman, an outlaw living in the woods, and noted for his skill in archery. Previous researches had proved, that many of our old ballads are merely rhyming records of historical events. Mr Hunter had already rescued one ballad-hero, Adam Bell, from the 'danger of being reduced to an abstraction or a myth;' and it now remained for him to undertake the same good office for a more renowned freebooter.