Chambers's Edinburgh Journal, No. 454: Volume 18, New Series, September 11, 1852Various
General
Chambers's Edinburgh Journal, No. 454: Volume 18, New Series, September 11, 1852
Various
Periodicals
It is difficult to describe the remarkable influence which this
adventure exercised upon the young artist. His susceptible mind
received an impression from this single association with a scene of
death on the one hand, and an appreciating patron on the other, which
affected the whole of his future life. He returned to C----, bade
adieu to his landlady and friends, and, placing himself and his
luggage upon the London coach, proceeded to the metropolis. Here,
after looking about him for some time, and taking pains to study the
various masters in his art, he made a respectful application to one
who stood among the highest in repute, and whose works had pleased his
own taste and fancy better than any he had seen. After much earnest
pleading, and offering very nearly all the little wealth he possessed,
he was accepted as a pupil, to receive a course of ten lessons. With
great assiduity he followed the instructions of the master, and
learned the mysteries of colouring, and a great number of artistic
niceties, all tending to advance him towards perfection of execution.
He was really possessed of natural talents of a high order, and in the
development of these he now evinced great acuteness, as well as
industry. His master, an artist who had made a reputation years
before, and who had won high patronage, and earned for himself a large
fortune, thus being beyond the reach of any feelings of professional
jealousy, was much delighted with Conrad's progress, was proud to have
discovered and taught an artist of really superior talent; and
generously returning to him the money he had lately received with so
much mistrust and even nausea--for a raw pupil is the horror of
_cognoscenti_--he forthwith established him as his protege. Thanks to
his introduction, Conrad shortly received a commission of importance,
and had the honour of painting the portrait of one of the most
distinguished members of the British aristocracy. He exerted all his
powers in the work, and was rewarded with success; the portrait caused
some sensation, and was regarded as a _chef-d'oeuvre_. Thus
auspiciously wooed, Fortune opened her arms, and gave him a place
among her own favoured children. The first success was succeeded by
others, commission followed commission; and, to be brief, after four
years of incessant engagements and unwearied industry, he found
himself owner of a high reputation and a moderate independence.
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