Chambers's Edinburgh Journal, No. 460: Volume 18, New Series, October 23, 1852Various
History
Chambers's Edinburgh Journal, No. 460: Volume 18, New Series, October 23, 1852
Various
Periodicals
Some subjects in art are best suited for enjoyment in rooms destined
for solitary use, others for those of general resort--some touch us
peculiarly in one mood, some are welcome to us in all. Of this last
character 'St Catherine borne by Angels' is a specimen: the earth
sinks beneath them, they fly so swiftly and yet so calmly! we are in
the air too with them, and mark how small the world looks, with its
burdens of wrong and suffering, as we cleave our way through the
fields of ether up towards the stars; and that lovely one the spirits
hold so tenderly, how still and calm is every line!--she is at peace
after the storm and the agony, and for a space we lie still as she in
those angel arms. Of the same class is Raphael's 'Transfiguration,'
which is magnificent if we only contemplate the grouping of the
figures, but truly sublime in the ideas it suggests. Flaxman's
'Mercury and Pandora' likewise, elegant and graceful in the highest
degree, is peculiarly suited for generally used rooms and constant
delight. But specimens crowd into our recollection for which we have
not space. General sitting-rooms can bear a _variety_ of subject and
suggestion--they will have a variety of inhabitants or visitors; and
while bearing the impress of a certain unity, they should contain
pleasure for all, and stimuli for differing minds. We would not
habitually admit in them works of art which rouse too painful a class
of emotions. Fuseli's picture of 'Count Ugolino in Prison,' in which
the stony fixedness of despair deprives us, as we gaze, almost of the
living hope within us, we could not bear to have near us habitually.
That wonderfully beautiful marble of Francesca di Rimini and her
lover, which appeared in the Great Exhibition last year, would come
under the same law of banishment. It realised so perfectly the
hopelessness of hell, that at sight of it we swooned in spirit as
Dante did in reality. Life has so many stern realities for most of us,
that in art we need relief, and generally desire to find renewed hope
and faith through delight and gladness.
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