Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 2, Vol. I, January 12, 1884 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 2, Vol. I, January 12, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 2, Vol. I, January 12, 1884
Various
Periodicals
The common below the South Wood, even James Thardover with all his
desire for improvement could not do much good with; the soil, and
the impossibility of getting a fall for draining, all checked effort
there. A wild, rugged waste, you say, at first, glancing at the
rushes, and the gaunt signpost standing up among them, the anthills,
and thistles. Thistles have colour in their bloom, and the prickly
leaves are finely cut; rushes—green rushes—are notes of the season,
and with their slender tips point to the days in the book of the year;
they are brown now at the tip, and some bent downwards in an angle.
The brown will descend the stalk till the snipes come with gray-grass
colours in their wings. But all the beatings of the rain will not cast
the rushes utterly down; they will send up fresh green successors
for the spring, for the cuckoo to float along over on his way to the
signpost, where he will perch a few minutes, and call in the midst of
the wilderness. There, too, the lapwings leave their eggs on the ground
among the rushes, and rise, and complainingly call. The warm showers
of June call up the iris in the corner where the streamlet widens, and
under the willows appear large yellow flowers above the flags. Pink
and white blossom of the rest-harrow comes on bushy plants where the
common is dry, and there is heath, and heather, and fern. The waste has
its treasures too—as the song-thrush has his in the hawthorn bush—its
treasures of flowers, as the wood its beauties of tree and leaf, and
the hills their wheat.
The ringfence goes farther than this; it incloses the living creatures,
yet without confining them. The wing of the wood-pigeon as the bird
perches, forms a defined curve against its body. The forward edge of
the wing—its thickest part—as it is pressed to its side, draws a line
sweeping round; a painter’s line. How many wood-pigeons are there in
the South Wood alone, besides the copses and the fir-plantations? How
many turtle-doves in spring in the hedges and outlying thickets, in
summer among the shocks of corn? And all these are his—the Squire’s—not
in the sense of possession, for no true wild creature was ever any
one’s yet; it would die first; but still within his ringfence, and
their destinies affected by his will, since he can cut down their
favourite ash and hawthorn, or thin them with shot. Neither of which he
does. The robin, methinks, sings sweetest of autumn-tide in the deep
woods, when no other birds speak or trill, unexpectedly giving forth
his plaintive note, complaining that the summer is going, and the time
of love, and the sweet cares of the nest; telling you that the berries
are brown, the dew-berries over-ripe, and dropping of over-ripeness
like dew as the morning wind shakes the branch; that the wheat is going
to the stack, and that the rusty plough will soon be bright once more
by the attrition of the earth.
Public-domain text, read in full here on John Shaqi.
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