Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 14, Vol. I, April 5, 1884 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 14, Vol. I, April 5, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 14, Vol. I, April 5, 1884
Various
Periodicals
Mr Beecham listened to this gossip with the interest of an exile
returned to his native land. Whilst everywhere he meets the signs of
change, he also finds countless trifles which revive the past. Even the
comparison of what is, with what has been, has its pleasure, although
it be mingled with an element of sadness. The sweetest memories are
always touched with tender regret. We rejoice that sorrow has passed:
who rejoices that time has passed?
He watched with kindly eyes the people making their way across the
stubble or round by the church. The latter was a sturdy old building
with a solid square tower, that looked as if it had foundations strong
enough to hold it firmly in its place whatever theological or political
storms might blow.
Old Jerry Mogridge had reason to be proud of that morning’s work, and
made his cronies of the taproom stare with his descriptions of the
strange gentleman’s friendly ways and liberal hand.
After seeing his rooms at the _King’s Head_, Mr Beecham sauntered
slowly towards the church. When he reached the porch, he paused, as if
undecided whether or not to enter. The people had assembled and the
bells had ceased ringing. He passed in, and despite the courtesy of an
ancient verger, who would fain have given the stranger a conspicuous
place, he took a seat near the door.
The ordinary aspect of the inside of Kingshope church was somewhat
bare and cold-looking: at present it was aglow with sunbeams and rich
colours. The pillars were bound with wisps of straw and wreaths of
ground ivy, while the capitals were sheaves of wheat and barley, with
a scarlet poppy here and there, and clusters of dahlias of many hues.
On the broad window ledges, half-hidden in green leaves, lay the yellow
succulent marrow, the purple grape, the ruddy tomato—bright-cheeked
apples and juicy pears: giant sunflowers and ferns guarded the
reading-desk; and on the altar was a pile of peaches and grapes,
flanked by early Christmas roses—deep-red, orange, white and
straw-coloured.
But the pulpit attracted most attention on this bright day. Madge
and Philip had been visited by an inspiration; and, with the vicar’s
sanction and the aid of Pansy and Caleb, had carried it into effect.
The entire pulpit and canopy were woven over with wheat and barley,
giving it the appearance of a stack with the top uplifted. Round the
front of the stack-pulpit were embroidered, in the bright scarlet
fruit-sprays of the barberry, the opening words of the anthem for the
day, ‘The earth is the Lord’s and the fullness thereof.’ There was a
feeling of elation in the air, to which the organist gave expression by
playing the Hallelujah Chorus as the opening number. And then it was
with full hearts and vigorous lungs that all joined in the hymn,
Come, ye thankful people, come,
Raise the song of harvest home.
Public-domain text, read in full here on John Shaqi.
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