Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 20, Vol. I, May 17, 1884 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 20, Vol. I, May 17, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 20, Vol. I, May 17, 1884
Various
Periodicals
His heart was too full for words. He turned away from his wife, who
was watching him earnestly, turned away, not willing she should see
how much he was affected. He opened the door of the conservatory and
passed out among the flowers. Even the flowers looked the same. The
red stars of taxonia shone from the green clouds above as of old. The
large heliotrope against the wall was in full blossom. The great centre
tree-palm was still there. The fountain played as of old, and splashed
down on the goldfish swimming in the basin. How well he remembered when
his great delight was to be lifted up to look at those red and white
carp! He could stand these memories no longer. Let him go away—out of
the house—never to come near it again. He went back to the room to
find Millicent. The room was untenanted. He supposed his wife, taking
advantage of the accorded permission, had extended her researches. He
looked in the dining-room. As the old family portraits had been bought
by his own people, this room did not appeal to him so much. He glanced
round; Millicent was not there. He walked across the hall and opened
the library door. He did not notice whether this room was changed or
not. He had eyes for one thing only, and, perhaps, a more astonishing
sight was never seen by a six days’ bridegroom. Here was Millicent—his
wife, her hat and mantle thrown off, absolutely sitting on the knee of
a gentleman; moreover, with her arms twined round his neck, her cheek
resting against his, and so concealing his features from her outraged
husband, who no doubt would have rushed to immolate his supposed rival,
had not Millicent, without changing her position, looked at him with
eyes so full of love, tenderness, and triumph, that Frank Abbot stood
rooted to the ground, and wondered why he should be dreaming in broad
daylight. Then he grew very pale, all sorts of wild things rushing
into his head. He managed to take a step or two forward; and Millicent
jumping off her human perch, rushed to meet him, threw her arms round
his neck, sobbed and laughed, and all the while ejaculated: ‘My
darling—my darling! My own love! To think it should be through me! My
own dear husband!’
She kissed him and embraced him in so fervent a manner, that his
attention could scarcely be given elsewhere; but the impression grew
upon him that over her shoulder, sitting in the chair from which she
had sprung, was his chance acquaintance, Mr John Jones.
‘What—does—it all mean?’ gasped Mr Abbot, as his wife subsided on his
shoulder.—‘Mr Jones, you here! What does it mean?’
Mr Jones rose from his chair and held out his hand. ‘Shake hands,
Frank,’ he said. ‘It means this. I told you you’d have to take
something from me, proud as you were. You’ve taken my daughter, at
anyrate.’
‘But’——
Public-domain text, read in full here on John Shaqi.
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