Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 22, Vol. I, May 31, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 22, Vol. I, May 31, 1884
Various
Periodicals
It seems to me, as it must do to all who study the question, that this
is the fundamental mistake we make, and that it is for this reason our
detection of crime is so defective. We have no spies in the enemy’s
camp. Our detective officers are merely policemen in shooting-jackets
and billycock hats. The great criminal army knows who they are as well
as if they wore their blue tunics. A French detective has nothing
whatever to do with arresting criminals. He is not the sportsman who
shoots the bird, but only the dog which points out where the game is
to be found. The French agents of police, or detectives—many of whom
have been over in England on business, and are well acquainted with
our system—say that our regular police who keep order in the streets
are the best guardians of peace and order in the world, but that our
detective system is the worst and, practically, the most useless in
Europe. Nor can any one acquainted with the subject say they are wrong.
Even the most casual readers of the papers must be struck with two
facts relating to crime in London. In the first place, the vigilance
of the ordinary police is so great, that, as a rule, they lay hands
upon a very great number of criminals, and cause a vast deal of crime
to be punished. But, on the other hand, if a murderer, burglar, or
other offender against society _does_ manage to get clean away, he is
rarely if ever caught. The police—that is, of course, the detective
police—invariably ‘get a clue’ to the affair; and there the matter
seems to end. The detection of crime is evidently not an art that has
been cultivated in England.
The French detective is a man who would never be thought, by any one
who did not know him personally, to be connected with the police. In
fact, he generally does his best to hide his real occupation from
even his most intimate friends. Like our Londoner who is ‘something
in the City,’ he assumes the indefinite appellation of _un employé
du gouvernement_; but in what office he is ‘employed,’ or what his
‘employment’ may be, he refrains from stating. He is generally a quiet,
unpretending individual, who neither courts nor avoids notice. The
facility with which he assumes all kinds of disguise, and the admirable
manner in which he acts the part he assumes, must be seen in order
to be realised. As a rule, he takes some time before bringing his
inquiries to a close; but he is rarely at fault in the long-run, and
generally manages to bring down the game he is hunting.
Public-domain text, read in full here on John Shaqi.
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