Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 38, Vol. I, September 20, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 38, Vol. I, September 20, 1884
Various
Periodicals
BY AN ANGLO-INDIAN.
The exhibition of feats of legerdemain is at all times entertaining;
and those who have had the pleasure of witnessing the performances of
such accomplished professors of the art of magic as the late Wizard of
the North, or Messrs Maskelyne and Cooke of the Egyptian Hall, London,
are not likely soon to forget the same. In Britain, however, it is
only now and again that a magician of the first class, who is likewise
a native of the British Isles, appears. Eminent British jugglers are
few and far between. But in the ancient East, magic is, and has from
time immemorial been, much more generally cultivated. India, as every
one who has resided in our great tropical dependency knows, counts its
jugglers by thousands. Indeed, magic is there a recognised calling or
business; it descends from father to son; and an Indian juggler, be
he Mussulman or Hindu, would not dream of teaching his son any other
business than his own—that of magic. And so it comes about that the
supply of Indian jugglers is both large and continuous. The Indian
juggler is a very humble individual; he does not appear before his
audience in the glory of evening dress; his only costume is a cloth
bound round his loins. And thus, if coat-sleeves or pockets at all
assist in magic, the Indian juggler is at a decided disadvantage, for
both his arms and legs are bare. He is a thin, an unnaturally thin,
wiry-looking individual—the Indian juggler. I do not know why he should
be thin, but I do not recollect ever having seen a fat Indian juggler.
Fat natives of India there are in plenty, as those who have travelled
on Indian railways know to the detriment of their olfactory nerves;
but I cannot recall a single fat Indian magician. Again, the Indian
juggler does not appear before his audience with the swagger of the
man who knows his power to command the applause of crowded houses. On
the contrary, he appears meekly before you at the foot of your veranda
steps, obsequiously salaaming, quite prepared to be turned away with
rough words, but hoping to be invited up the steps to perform; for he
knows that if he once reaches the top of the veranda steps, he will, an
hour thereafter, be one rupee, perhaps two rupees, richer, and he will
thus have earned his living for a week. Not a very liberal remuneration
this, you may think; and yet it is a fact that a juggler whose receipts
amounted to ten rupees—say eighteen shillings in one month—would
consider himself a fortunate man.
Public-domain text, read in full here on John Shaqi.
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