Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 38, Vol. I, September 20, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 38, Vol. I, September 20, 1884
Various
Periodicals
The government of India offers a money reward for every poisonous snake
killed in the country; and the result is that there exists in India at
the present day a class of men, called snake-charmers, who earn their
living by going about in search of serpents. They play on the peculiar
instrument before mentioned, and if any serpent is within hearing
distance, it is irresistibly attracted to the musician. Serpents will
leave the roots of hedges, holes in walls, come down trees, or forsake
paddy-fields, if they hear this strange music. They erect themselves
vertically before the player, who at once seizes them by the throat,
and puts them in a large basket or bag he carries with him for the
reception of unwise serpents.[1] What became of the dry snake skin, we
could not tell; we never saw it again.
The next performer was an elderly patriarchal-looking man, who
exhibited two trained tropical birds, the names of which I forget.
These birds did some really astonishing things, and their master
the patriarch must be a man of infinite patience. For instance, one
actually loaded a small brass cannon set on a miniature gun-carriage,
pushed the charge home with a small ramrod, and fired the piece off
by applying a lighted match, held in its beak, to the touchhole,
displaying not the slightest fear at the noise caused by the firing.
The other bird would, if its master threw any small object into the
air, seize the object in mid-air and bring it to the bird-trainer.
Numbers five and six—man and boy—of the troupe were circus-wallahs, and
gave a native gymnastic entertainment, which, as it did not materially
differ from a British performance in the same line, need not be
detailed.
Number seven was a juggler of divers accomplishments. He swallowed
swords, and put an iron hook into his nostril, bringing it out of his
mouth. Neither of these feats, however, though undoubtedly genuine, is
pleasant to look at. He blew fire and flames out of his mouth without
revealing the origin or cause of the fire, and apparently without
burning himself. He took about half-a-dozen stones of the size of, say,
a hen’s egg out of his mouth; how they got there, or how his mouth
contained them after they got there, was a mystery. He was talking
just before he began; but on being asked a question in the middle of
this stone performance, he could not speak. After discharging the big
stones, he wound up by disgorging about a handful of old nails and
miscellaneous rubbish!
Public-domain text, read in full here on John Shaqi.
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