Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 41, Vol. I, October 11, 1884 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 41, Vol. I, October 11, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 41, Vol. I, October 11, 1884
Various
Periodicals
Of course, I accepted the watch. What else could I do? Sticklers for
morality may refuse to indorse my conduct in so doing; but these same
stern moralists would have probably acted precisely as I did under the
same circumstances. I was by no means so sure of my position that I
could afford to affront or offend my strange friends in any way. Under
that easy sang-froid, careless banter, and studied politeness which
Gardiner had shown throughout our conversation, I knew that there
remained a will that brooked no contradiction, and that had never yet
been thwarted. Under circumstances like these, where personal danger
enters as a large factor in determining our ultimate action, the
majority of us are apt to give an easy and liberal interpretation to
the minor ethics.
I took the watch, uttering some commonplace words of acceptance in
doing so.
“And now, Mr Fellgate, I think our interview is at an end. I am glad
you like the watch, and I think you will find that it is as good as
it looks. In all probability, you and I will never meet again. But if
ever you hear any of those snivelling city counter-jumpers maligning
me and my brave fellows here, you at least may kindly think that
we’re perhaps not so black as they paint us.—Jim, take care of the
editor.—Good-night.”
I was once more blindfolded, and Jim and I returned as we had come.
When we reached the confines of the forest, however, we dismounted, and
my companion removed my bandage. The first gray glimmer of the dawn was
stealing through the bush.
“You’ll have to walk the rest of the way home, Mr Fellgate. I’m like
the ghost in the play, you understand—must hook it with the first
light. Sorry I can’t take you to your door.”
“Don’t mention it; I know every inch of the road,” I said, bent upon
answering him in the same vein.
“You’re a pretty cool hand, Mr Editor. Didn’t think you scribbling
chaps were that sort. No offence. Adieu!”
When I reached my rooms, I found my landlady already astir. She had not
been much surprised to find my bedroom empty, for it had once or twice
happened that I had to spend the night at the office, although that was
not a frequent occurrence, the _Beacon_ being only a bi-weekly issue.
I lay down on the sofa in my sitting-room and took a couple of hours’
sleep. When I awoke, the events of the night had for a little all the
feeling of a dream; but that fancy quickly passed away. Over my morning
coffee I examined my newly and so strangely acquired gift at greater
leisure. I may say in conclusion that it has been my constant companion
ever since that night, and I don’t think there is a better time-keeper
out of London. Would you like to look at it closer?’
Fellgate handed me the watch. It was a remarkably handsome
hunting-watch, very finely finished, and bearing the name of a famous
London maker. Inside, I read this inscription:
Presented to ALISON FELLGATE, Esquire,
by
FRANK GARDINER.
Public-domain text, read in full here on John Shaqi.
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