Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 44, Vol. I, November 1, 1884Various
Science
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 44, Vol. I, November 1, 1884
Various
Periodicals
‘Stay!’ she said, coming a step or two nearer to him. ‘Do not think
that I fail to appreciate your generosity or the chivalrous kindness
which prompts you to speak as you do. But—I am thinking of myself as
well as of you. If such a thing as I have spoken of were to happen,
although your affection for me might be in nowise changed thereby,
with what feelings should I afterwards regard myself? I should despise
myself, and justly so, to the last day of my life.’
‘No—no! Believe me, you are fighting a shadow that has no substance
behind it. I tell you again, and I will tell you so a hundred times,
if need be, that with your Past I have nothing whatever to do. My
heart tells me in accents not to be mistaken that you are a pure and
noble-minded woman. What need a man care to know more?’
‘I should fail to be all that you believe me to be, were I not to
oppose you in this matter even against your own wishes.’
‘Do you not believe in me? Can you not trust me?’
‘Oh, yes—yes! I believe in you, and trust you as only a woman can
believe and trust. It is the unknown future and what may be hidden
in it, that I dread.’ She crossed to the chimney-piece, took up the
letter, gazed at it for a moment, and then went back with it in her
hand. ‘Since you were here five days ago, I have written this—written
it for you to read. It is the life-history of a most unhappy woman. It
is a story that till now has been a secret between the dead and myself.
But to you it must now be told, because—because—oh! you know why. Take
it—read it; and if after that you choose to come to me—then’——
Not a word more could she say. She put the letter into his hand, and
turning abruptly away, crossed to the window, but she saw nothing for
the blinding mist of tears that filled her eyes.
Colonel Woodruffe, with his gaze fixed on the letter, stood for a
moment or two turning it over and over in his fingers. Then he crossed
to the fireplace. In a stand on the chimney-piece were some vesta
matches. He took one, lighted it, and with it set fire to the letter,
which he held by one corner till it was consumed. Madame De Vigne had
turned and was watching him with wide-staring eyes.
‘“Let the dead Past bury its dead,”’ said the colonel gravely, as the
ashes dropped from his fingers into the grate. ‘Your secret shall
remain a secret still.’
‘’Tis done! I can struggle no longer,’ said Madame De Vigne to herself.
The colonel crossed to her and took one of her hands. ‘Nothing can come
between us now,’ he said. ‘Now you are all my own.’
He drew her to him and touched her lips with his. All her face flushed
rosy red, and into her eyes there sprang a light of love and tenderness
such as he had never seen in them before. Never had he seen her look
so beautiful as at that moment. He led her back to the ottoman and sat
down beside her.
‘Tell me, dearest,’ he said, ‘am I the same man who came into this room
a quarter of an hour ago—doubting, fearing, almost despairing?’
‘Yes, the same.’
Public-domain text, read in full here on John Shaqi.
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