Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 45, Vol. I, November 8, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 45, Vol. I, November 8, 1884
Various
Periodicals
In concluding these brief remarks, it may not be amiss to say a word
or two about the markings which will be found on the boxes, and about
which a good deal of ignorance exists. On most boxes there are four
distinct markings, which have each their own significance. First comes
the brand proper, which consists either of the maker’s name or of some
fancy name adopted by the firm; such, for example, as Partagas, Villar
y Villar, Intimidads, Henry Clays, &c. The quality of the tobacco is
next indicated by Flor Fina, first quality; Flor, second quality, &c.
Various names, such as Infantes, Reinas, Imperiales, &c., are used to
represent the size or shape of the cigar. The fourth mark gives us an
idea of the strength or colour of the tobacco contained in the box; and
for this purpose the following terms are used—Claro, Colorado claro,
Maduro, &c. To attempt to give any advice to our readers as to the best
brands to buy would be beyond the scope of this paper. Experience will
soon teach them what to accept and what to avoid; what suits their
tastes and their pockets, and what does not.
ONE WOMAN’S HISTORY.
CHAPTER VI.
‘Phew! There’s not a breath of air in this valley. One had need be a
salamander to appreciate a morning like this. But what a lovely nook it
is—eh, Mac? Quite worth coming half-a-dozen miles to see.’
‘That it’s very pretty, I’ll not attempt to deny; but still’——
‘By no means equal to what you could show us t’other side of the
Border,’ said the vicar with a twinkle. ‘That’s understood, of course.’
The time was the forenoon of the day following the evening on which
Madame De Vigne had been so startled by the sudden appearance of one
whom she had every reason to believe had died long years before.
The scene was a small but romantic glen. Over the summit of a cliff, at
the upper end of a rocky ravine, a stream, which took its rise among
the stern hills that shut in the background, leapt in a cascade of
feathery foam. After a fall of some fifteen or twenty feet, it reached
a broad, shallow basin, in which it spread itself out, as if to gather
breath for its second leap, which, however, was not quite so formidable
as its first one. After this, still babbling its own liquid music, it
fretted its way among the boulders with which its channel was thickly
strewn, and so, after a time, left the valley behind it; and then, less
noisily, and lingering lovingly by many a quiet pool, it gradually
crept onward to the lake, in the deep bosom of whose dark waters lay
the peace for which it seemed to have been craving so long.
Public-domain text, read in full here on John Shaqi.
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