Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 45, Vol. I, November 8, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 45, Vol. I, November 8, 1884
Various
Periodicals
‘I know,’ is all that the attendant deigns to say, as he pushes open
the door and enters with the light, leaving the landlord to stumble
down-stairs in the dark as best he may. Having carefully fastened the
door, Derrick sets down the light, and approaches the window with the
intention of getting a breath of fresh air. The casement is somewhat
hard to unfasten, and when at length he succeeds in opening it, the
lamp which he has brought is blown out under the sudden influence of
a gust of air which is admitted. No matter; he does not want it. The
night-breeze is cool and refreshing, a favourable contrast to the hot
stifling room below, and Derrick, as he leans upon the window-ledge,
begins to appear more contented and at ease. All afterglow of the
twilight has long disappeared, and the moon is shining with a sickly
light upon a low layer of mist which covers the marshy flats. Above
the thin watery fog which has arisen from the sluggish stream and
enshrouded the village as in a winding-sheet, the great shattered
tower of the monastery rises ghostlike and dim, while the silence of
the vast solitude is unbroken by a single sound. Even Derrick is not
insensible to the peculiar beauty and stillness of the scene, and he
lounges there, humming a tune, and watching the silvery trickle upon
the watery marsh long after mine host has retired to rest. At length he
closes the casement and divests himself of his heavy boots. Tired as
he is, he does not attempt to remove his clothes. The man had seen a
deal of sharp service, and experience had taught him long ago that in
cases where he might be wanted at any moment, it were better to sleep
in them. He merely places his pistols within reach, and then throwing
himself upon the bed, endeavours to sleep.
Public-domain text, read in full here on John Shaqi.
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