Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 45, Vol. I, November 8, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 45, Vol. I, November 8, 1884
Various
Periodicals
In a very few words, the trusty henchman explains what is the reason
of his coming, and urges his master to hold himself in readiness to
escape, should it be necessary. Sir Carnaby looks at him while he
speaks as if he does not quite understand his hurried explanation;
but when the attendant has finished, he looks around the room with an
anxious air, and then says: ‘If it be so, Derrick, we must get off
somehow as quickly as we can. This window, I think, looks towards the
back of the house. Can you not manage to descend into the courtyard and
get out our horses? Lead them down the bank of the stream towards that
tall beacon by the dike. You must remember the place; we remarked it as
we passed the mill on our journey here.’
‘I remember the place, Sir Carnaby; but I am not going to make off
there, and leave you alone here.’
‘I shall be safe enough, I tell you, Derrick,’ said the baronet as he
hastily motioned to the attendant to go. ‘I cannot come yet; I cannot;
it is impossible.’
‘I will wait below, then,’ is the stubborn reply of his servant, who is
already half out of the window.
‘Derrick,’ says Sir Carnaby, laying his hand upon the attendant’s
shoulder, ‘do what I tell you. I cannot come now; and if you wait below
for me, as you say, we shall both be discovered. More lives than our
own depend upon your obeying me at this moment. Go, as I tell you, and
wait for me by the beacon; and I will join you as soon as I possibly
can.’
The man clasps his master’s hand, and, with something like tears in
his eyes, makes his way to the ground. The fugitive baronet has no
emotion expressed on his countenance, for he fears not for himself; his
thoughts are centred upon that black box which has now so strangely
disappeared. With the broad-bladed knife still in his hand, he goes
towards a corner of the room, kneels down, and appears to busy himself
with the planking of the floor.
* * * * *
Public-domain text, read in full here on John Shaqi.
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