Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 46, Vol. I, November 15, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 46, Vol. I, November 15, 1884
Various
Periodicals
Careful choice in the substances to be melted together, good and
effective cutting, and careful artistic setting, have gone a long way
to reproduce, artificially, the brightness, brilliancy, and colour
of the real stone. Chemical analysis shows the sapphire to be pure
alumina, as it has shown the diamond to be pure carbon; but it does not
account for its colour, which is partly due to an optical effect, and
depends upon a peculiar molecular arrangement. This stone possesses
the singular property known as _dichroism_—that is, it shines with
two colours, blue and red. In a well-cut stone, a red cross often
appears in the midst of the sapphire blue. The ruby is also pure
alumina, and its vivid red colour, like the blue of the sapphire, is
thought by some to be due to a peculiar optical effect. In fact, no
chemical analysis has been able to account quite satisfactorily for the
red colour of the ruby or the blue colour of the sapphire, for pure
alumina is quite white, and the sapphire, as we have seen, shows two
colours. This peculiar optical effect noticed in the ruby and sapphire
has, strange to say, been accidentally reproduced not long since by
a French chemist, M. Sidot, who has been making some experiments on
artificial stones. He has produced a kind of glass by melting phosphate
of lime at a great heat, and the product possesses the blue colour of
the sapphire with the remarkable _dichroism_ before alluded to. The
experiment is so curious, that a few lines may be devoted to it here.
Public-domain text, read in full here on John Shaqi.
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