In _Photography for Amateurs_ (London: Cassell & Co.), Mr T. C. Hepworth, lecturer to the late Polytechnic Institution, gives excellent hints and instructions for beginners in this art. For those who have taken up photography as a pleasant occupation of their leisure hours, this book can be especially recommended. Most travellers in Central Africa, or in any little known part of our world, now find the photographic camera a necessary adjunct of their equipment, as, by its aid, rapid and correct pictures can be made of striking and picturesque scenes. This is equally true of a pedestrian at home, and Mr Hepworth looks back with delight to a walking tour in the Highlands, when he found so many lovely little nooks in the Trosachs and elsewhere admirably suited to his art. The effective delineation of objects by photography demands both care and experience; but there are now many amateurs of both sexes who can turn out very satisfactory pictures. Landscape photography is one thing, and portraiture is another and more difficult undertaking, for the inexperienced; but with the help of such a manual as this, which describes the necessary apparatus, negative-printing, fixing and washing the prints, &c., the way must be greatly smoothed for beginners in the art. The Introduction presents a concise history of the art up to the time when the use of gelatine dry plates made the practice of photography more convenient and possible for amateurs. ⁂ Lately we noticed in these pages the publication of a volume of music entitled _The Athole Collection of Dance Music of Scotland_, edited by Mr James Stewart Robertson (Edradynate). To this we have now to add by the same publishers, _The Killin Collection of Gaelic Songs_, with music and translations, by Mr Charles Stewart (Edinburgh, Maclachlan and Stewart). In selecting and arranging the melodies in this collection, the editor has borne in mind (1) Those that have already established themselves as favourites; (2) Those that have not been published until now, but which, in his opinion, are deserving of publication; (3) Some ancient chants to which the Fingalic poetry was sung; and (4) A few hymn tunes—one of them old, and the others on the lines of old Gaelic melody, in the hope of showing how admirably that melody is fitted for sacred song. Mr Stewart has been assisted by Mr Merryleas in arranging the harmonies and accompaniments; and in the supplying of English words for the Gaelic originals he has had the efficient help of such well-known pens as those of Principal Shairp, Professor Blackie, Dr Norman Macleod, and others. This collection of Gaelic music ought to have a hearty reception, not only from those who are familiar with Celtic surroundings, but also from students of music generally, as an important contribution to the history and archæology of the art. ⁂