Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 9, Vol. I, March 1, 1884Various
General
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 9, Vol. I, March 1, 1884
Various
Periodicals
Meadow-pipits are not migrants in the sense that the swallows are; but
they move about and so change their localities, that when they come
back they have much of the interest of a spring-bird. They rise from
the ground and sing in the air like larks, but not at such a height,
nor is the song so beautiful. These, too, are early birds. They often
frequent very exposed places, as the side of a hill where the air is
keen, and where one would not expect to meet with so lively a little
creature. The pond has not yet any of the growths that will presently
render its margin green; the willow-herbs are still low, the aquatic
grasses have not become strong, and the osiers are without leaf. If
examined closely, evidences of growth would be found everywhere around
it; but as yet the surface is open, and it looks cold. Along the brook
the shoals are visible, as the flags have not risen from the stems
which were cut down in the autumn. In the sedges, however, the first
young shoots are thrusting up, and the reeds have started, slender
green stalks tipped with the first leaves. At the verge of the water, a
thick green plant of marsh-marigold has one or two great golden flowers
open. This is the appearance of his home when the sedge-reedling
returns to it. Sometimes he may be seen flitting across the pond, or
perched for a moment on an exposed branch; but he quickly returns to
the dry sedges or the bushes, or climbs in and out the willow-stoles.
It is too bare and open for him at the pond, or even by the brook-side.
So much does he love concealment, that although to be near the water
is his habit, for a while he prefers to keep back among the bushes. As
the reeds and reed canary-grass come up and form a cover—as the sedges
grow green and advance to the edge of the water—as the sword-flags lift
up and expand, opening from a centre, the sedge-reedling issues from
the bushes and enters these vigorous growths, on which he perches, and
about which he climbs as if they were trees. In the pleasant mornings,
when the sun grows warm about eleven o’clock, he calls and sings with
scarcely a cessation, and is answered by his companions up and down
the stream. He does but just interrupt his search for food to sing;
he stays a moment, calls, and immediately resumes his prying into
every crevice of the branches and stoles. The thrush often sits on a
bough and sings for a length of time, apart from his food, and without
thinking of it, absorbed in his song, and full of the sweetness of the
day. These restless sedge-reedlings cannot pause; their little feet
are for ever at work, climbing about the willow-stoles where the wands
spring from the trunk; they never reflect, they are always engaged.
This restlessness is to them a great pleasure; they are filled with
the life which the sun gives, and express it in every motion; they
are so joyful, they cannot be still. Step into the osier bed amongst
them gently; they will chirp—a note like a sparrow’s—just in front,
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